
The artist's self-portrait.
Post-Impressionism Artist
Laurits Tuxen
Kingdom of Denmark
26 paintings in our database
Tuxen was the most important court painter of the British royal family in the late Victorian and Edwardian period, and his large group portraits of royal gatherings are among the most significant dynastic images of the era.
Biography
Laurits Tuxen (1853-1927) was a Danish painter renowned as the official court painter of the British royal family under Queen Victoria, King Edward VII, and King George V, producing large-scale group portraits of royal family gatherings that are among the most important dynastic images of the era. Born in Copenhagen, he trained at the Royal Danish Academy of Fine Arts and then in Paris under Leon Bonnat, the same teacher who trained several of the Skagen painters. He studied in Italy and made his early reputation with academic figure paintings before receiving the commission that defined his career: The Family of Queen Victoria in 1887 (1887), painted for the Queen's Golden Jubilee. This large group portrait, and the subsequent Coronation of King Edward VII (1903) series, required painstaking work coordinating dozens of royal sitters across multiple sessions. His Male Nude in the Studio of Bonnat (1877) shows his academic figure training; his Cairo subject, A View of Cairo (1889), demonstrates his travel range. His Portrait of Painter Peder Severin Kroyer (1904) shows his connection to the Skagen circle, and Two Young Women at Skagen Beach (1900) places him in the broader Scandinavian plein-air tradition.
Artistic Style
Tuxen's official royal portraits are characterised by meticulous compositional organisation — coordinating the portraits of dozens of identifiable individuals in formally arranged groups requires extraordinary planning — combined with a polished academic finish and a diplomatic sensitivity to hierarchy and precedence. His Bonnat training gave him solid academic draughtsmanship and a competent portrait manner. His Skagen beach subjects and the Cairo view show a looser, more atmospheric approach informed by the plein-air tradition of his Danish contemporaries.
Historical Significance
Tuxen was the most important court painter of the British royal family in the late Victorian and Edwardian period, and his large group portraits of royal gatherings are among the most significant dynastic images of the era. His Family of Queen Victoria in 1887 is a primary document of the royal family at a pivotal historical moment. His Danish-British career also made him an important cultural link between the two countries.
Things You Might Not Know
- •Tuxen was the official painter of the European royal family network — he was commissioned by Queen Victoria, Emperor Wilhelm II, Tsar Nicholas II, and various Scandinavian royals to record royal weddings, jubilees, and family gatherings, making him a visual chronicler of the interconnected European dynasties before World War I.
- •His large group portrait 'The Family of Queen Victoria' (1887), painted for Victoria's Golden Jubilee, shows over 50 members of the extended royal family assembled at Windsor — it is one of the most important dynastic documents of the late Victorian era.
- •He was a student of Léon Bonnat in Paris, the same teacher who trained Krøyer, giving the Skagen painters a shared Parisian academic foundation.
- •Despite his royal commissions, Tuxen also painted Danish coastal landscapes and fisher folk subjects in the Skagen tradition — the two aspects of his career are rarely discussed together.
- •His access to royal families across Europe gave him first-hand acquaintance with virtually every reigning monarch of the period — his diaries are a primary source for court life in the 1880s-1910s.
Influences & Legacy
Shaped By
- Léon Bonnat — Tuxen's Paris teacher, whose rigorous academic realism and psychological portrait approach were foundational
- Peder Severin Krøyer — fellow Skagen painter and Paris-trained colleague; their shared background gave them parallel technical foundations
- The European court portrait tradition from Rubens onward — the grand group portrait formula Tuxen used for royal commissions connected directly to the tradition of Rubens, Van Dyck, and Winterhalter
Went On to Influence
- His royal group portraits are now primary historical documents — they are used by historians of European royalty as visual evidence for family relationships, court ceremony, and dynastic connections
- He contributed to the final flowering of the European court group portrait tradition before World War I ended the dynasties that sustained it
Timeline
Paintings (26)

Male Nude in the Studio of Bonnat
Laurits Tuxen·1877

A View Of Cairo
Laurits Tuxen·1889

King Christian IX of Denmark with family
Laurits Tuxen·1886
 - The Munshi Abdul Karim (1863-1909) - RCIN 403836 - Royal Collection.jpg&width=600)
The Munshi Abdul Karim (1863-1909)
Laurits Tuxen·1887
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The Family of Queen Victoria in 1887
Laurits Tuxen·1887
 - Prince Alexander of Battenberg (1886-1960) with Muhammed Bukhsh - RCIN 403610 - Royal Collection.jpg&width=600)
Prince Alexander of Battenberg (1886-1960) with Muhammed Bukhsh
Laurits Tuxen·1887

Portrait of a young Italian woman.
Laurits Tuxen·1886

The artist's self-portrait.
Laurits Tuxen·1885
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Christian IX of Denmark with his family
Laurits Tuxen·1886

Copy after Delacroix, The Barque of Dante. Sketch.
Laurits Tuxen·1887

The Coronation of King Edward VII (1841-1910)
Laurits Tuxen·1903
The Anointing of Queen Alexandra at the Coronation of King Edward VII
Laurits Tuxen·1903

The Coronation of King Edward VII; the Crowning of Queen Alexandra
Laurits Tuxen·1904

Portrait of Painter Peder Severin Kröyer
Laurits Tuxen·1904

Two young women at Skagen beach.
Laurits Tuxen·1900

Coastal view with steep hills.
Laurits Tuxen·1900

Portrait of a woman with her hear up and wearing a golden necklace.
Laurits Tuxen·1900

The coronation dress of Queen Victoria.
Laurits Tuxen·1900

View of Alhambra
Laurits Tuxen·1902

Riding through the lyme grass.
Laurits Tuxen·1900

King Frederik VIII and Crown Prince Christian.
Laurits Tuxen·1900

The port of Copenhagen.
Laurits Tuxen·1900

A painter with a straw hat, sitting with his box.
Laurits Tuxen·1900

Unruly sea with a water nymph.
Laurits Tuxen·1900

Portrait of a woman.
Laurits Tuxen·1900

A nude in the moonlight.
Laurits Tuxen·1900
Contemporaries
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