
Portrait of a Man · c. 1525
High Renaissance Artist
Martin Schaffner
German·1490–1555
29 paintings in our database
Martin Schaffner's painting reflects the mature artistic conventions of Renaissance German painting, demonstrating command of the period's most important technical innovations — the development of oil painting, the mastery of linear perspective, and the systematic study of human anatomy and proportion.
Biography
Martin Schaffner (1490–1555) was a German painter who worked in the German artistic tradition, which combined Northern European precision with a distinctive expressive intensity during the Renaissance — the extraordinary cultural rebirth that swept through Europe from the 14th to 16th centuries, transforming painting through the rediscovery of classical ideals, the invention of linear perspective, and a revolutionary emphasis on naturalism and individual expression. Born in 1490, Schaffner developed his artistic practice over a career spanning 45 years, producing works that demonstrate accomplished command of the period's most important technical innovations — the development of oil painting, the mastery of linear perspective, and the systematic study of human anatomy and proportion.
The artist is represented in our collection by "Portrait of a Man" (c. 1525), a oil on parchment, mounted on panel that reveals Schaffner's engagement with the broader Renaissance project of reviving classical beauty while pushing the boundaries of naturalistic representation. The oil on parchment, mounted on panel reflects thorough training in the established methods of Renaissance German painting.
Martin Schaffner's portrait work demonstrates the ability to combine faithful likeness with the formal dignity and psychological insight that the genre demanded. The preservation of this work in major museum collections testifies to its enduring artistic value and Martin Schaffner's significance within the broader tradition of Renaissance German painting.
Martin Schaffner died in 1555 at the age of 65, leaving behind a body of work that contributes meaningfully to our understanding of Renaissance artistic culture and the rich visual traditions of German painting during this transformative period in European art history.
Artistic Style
Martin Schaffner's painting reflects the mature artistic conventions of Renaissance German painting, demonstrating command of the period's most important technical innovations — the development of oil painting, the mastery of linear perspective, and the systematic study of human anatomy and proportion. Working primarily in oil — the dominant medium of the period — the artist employed the material's extraordinary capacity for rich chromatic effects, subtle tonal transitions, and the luminous glazing techniques that Renaissance painters had refined to extraordinary levels of sophistication.
The compositional approach visible in Martin Schaffner's surviving works demonstrates a sophisticated understanding of the pictorial conventions of the period — the arrangement of figures and forms within convincing pictorial space, the use of light and shadow to model three-dimensional form, and the employment of color for both descriptive accuracy and expressive meaning. The portrait format demanded particular skills in capturing individual likeness while maintaining formal dignity and conveying social status through the careful rendering of costume, accessories, and setting.
Historical Significance
Martin Schaffner's work contributes to our understanding of Renaissance German painting and the extraordinarily rich artistic culture that sustained creative production across Europe during this transformative period. Artists of this caliber were essential to the broader artistic ecosystem — creating works that served devotional, decorative, commemorative, and intellectual purposes for patrons who valued both artistic quality and cultural meaning.
The survival of this work in a major museum collection testifies to its enduring artistic value. Martin Schaffner's contribution reminds us that the history of European painting encompasses the collective achievement of many talented painters whose work sustained and enriched the visual culture of their time — a culture that produced not only the celebrated masterworks of a few famous individuals but a vast, rich tapestry of artistic production that defined the visual experience of generations.
Things You Might Not Know
- •Schaffner was the leading painter in Ulm, one of the wealthiest free imperial cities in southern Germany, and his workshop produced altarpieces for churches throughout Swabia.
- •He was a versatile artist who worked not only as a painter but also designed stained glass windows and was involved in architectural decoration.
- •His portraits of Ulm patricians and merchants provide an invaluable visual record of the civic elite in a major German trading city.
- •Schaffner's style shows an unusual synthesis of the Augsburg tradition (from Holbein the Elder) with local Ulm conventions and awareness of Dürer's innovations.
- •He survived the Reformation period by adapting from religious commissions to portrait painting, demonstrating practical flexibility during a turbulent era.
- •His Wettenhausen Altarpiece (1524) is one of the last great Catholic altarpieces produced in Swabia before the Reformation transformed patronage in the region.
Influences & Legacy
Shaped By
- Hans Holbein the Elder — The leading Augsburg painter's naturalism and spatial sophistication strongly influenced Schaffner's development.
- Bartholomäus Zeitblom — The earlier Ulm master established the local tradition Schaffner inherited.
- Albrecht Dürer — Dürer's prints and paintings provided models of Renaissance form that Schaffner selectively adopted.
- Bernhard Strigel — The Memmingen painter's portrait style influenced Schaffner's own approach to portraiture.
Went On to Influence
- Ulm painting tradition — Schaffner represents the culmination and effective end of Ulm's distinguished medieval painting tradition.
- Swabian Renaissance — His synthesis of local and imported styles exemplifies the broader transformation of German art in the early 16th century.
- German portraiture — His civic portraits contributed to the development of the German burgher portrait tradition.
- Reformation-era adaptation — His career shift from altarpieces to portraits illustrates how German painters navigated the Reformation's impact on patronage.
Timeline
Paintings (29)

Portrait of a Man
Martin Schaffner·c. 1525

tabletop of Asymus Stedelin
Martin Schaffner·1533

Abschied Christi von Maria
Martin Schaffner·1507

Wolfgang I. Graf von Oettingen
Martin Schaffner·1508

The Adoration of the Magi
Martin Schaffner·1515

Erster Wettenhauser Altar: Abschied Christi Rückseite: Geißelung Christi
Martin Schaffner·1515

Plague Altarpiece: Christ with Saints Roch and Sebastian
Martin Schaffner·1514

Erster Wettenhauser Altar: Gefangennahme Christi Rückseite: Christus vor Pilatus
Martin Schaffner·1515
Adoration of the Magi
Martin Schaffner·1513

Erster Wettenhauser Altar: Christus vor Pilatus Rückseite: Christus in der Vorhölle
Martin Schaffner·1515

Erster Wettenhauser Altar: Einzug Christ in Jerusalem Rückseite: Dornenkrönung Christi
Martin Schaffner·1515

Erster Wettenhauser Altar: Christus vor Kaiphas Rückseite: Auferstehung Christi
Martin Schaffner·1515

Erster Wettenhauser Altar: Fußwaschung Christi Rückseite: nicht erhalten
Martin Schaffner·1515

Erster Wettenhauser Altar: Verleugnung Petri und Verspottung Christi Rückseite: nicht erhalten
Martin Schaffner·1515

Erster Wettenhauser Altar: Das Letzte Abendmahl Rückseite: Kreuztragung Christi
Martin Schaffner·1515

Plague Altarpiece: Angry God the Father and Virgin Mary
Martin Schaffner·1514

Der hl. Antonius, versucht von drei Teufeln in Frauengestalt, Salemer Altar Tafel 3
Martin Schaffner·1517

Der Heilige Antonius, betend vor dem verstorbenen hl. Paulus, Salemer Altaer Tafel 1
Martin Schaffner·1517
Die Heiligen Petrus und Paulus mit dem Schweißtuch der heiligen Veronika (Vera Icon)
Martin Schaffner·1518

Der hl. Antonius, versucht von dem Teufel in Frauengestalt, Salemer Altar Tafel 4
Martin Schaffner·1517

Die Versuchung des hl. Antonius durch Dämonen, Salemer Altar Tafel 2
Martin Schaffner·1517

Bildnis des Eitel Besserer
Martin Schaffner·1516

Bildnis eines Mannes mit Rosenkranz
Martin Schaffner·1521

Eitel Hans I. Besserer von Schnürpflingen
Martin Schaffner·1529

Wettenhauser Hochaltar: Ausgießung des Heiligen Geistes Rückseite: ehemals Relief mit Anbetung der Könige
Martin Schaffner·1523
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Wettenhauser Hochaltar: Tod Mariae Rückseite: Abschied Christi (rechte Hälfte) mit Stifter Ulrich Hieber
Martin Schaffner·1523
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Wettenhauser Hochaltar: Verkündigung an Maria Rückseite: Abschied Christi (linke Hälfte)
Martin Schaffner·1523

Wettenhauser Hochaltar: Darbringung im Tempel Rückseite: ehemals Relief mit Anbetung der Hirten
Martin Schaffner·1523
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male portrait
Martin Schaffner·1524
Contemporaries
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