ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

A Girl Holding a Glass ("Taste", One of a Series of the Five Senses) by Hendrick ter Brugghen

A Girl Holding a Glass ("Taste", One of a Series of the Five Senses)

Hendrick ter Brugghen·1620

Historical Context

A Girl Holding a Glass, painted in 1620 and now in the Nationalmuseum in Stockholm, belongs to Hendrick ter Brugghen's series representing the Five Senses — a popular allegorical theme that had circulated through Flemish and Dutch art since the late sixteenth century. The sense of Taste was typically personified by a figure eating, drinking, or tasting, and ter Brugghen's choice of a young woman holding a glass of wine falls squarely within this tradition. What distinguishes his treatment is the figure's natural immediacy: she is not performing allegory so much as inhabiting it, her slight sideways glance giving her the quality of a person caught in a private moment rather than posed for symbolic display. The Five Senses series was a vehicle through which Dutch painters could explore the pleasures and vulnerabilities of the body under the guise of moral categorisation — sensory experience was both celebrated and implicitly warned against as a distraction from spiritual duty. Ter Brugghen's version navigates this ambiguity with characteristic subtlety, offering a figure that is simultaneously appealing and thoughtful. The strong Caravaggist lighting, with its deep shadow and luminous face, gives the subject a gravity that elevates it above mere decorative genre.

Technical Analysis

Single-source lighting from the left creates the high contrast typical of ter Brugghen's single-figure compositions from this period. The glass vessel is rendered with careful attention to transparency and reflected light, a technically demanding element that serves both descriptive and symbolic purposes. Costume is depicted in loose, rapid strokes that contrast with the careful modelling of the face.

Look Closer

  • ◆The glass vessel is painted with attention to the way light passes through and reflects from transparent material
  • ◆The figure's slightly averted gaze creates an impression of private absorption rather than direct address to the viewer
  • ◆Deep shadow occupies most of the background and the figure's shadowed side, concentrating all attention on the lit face and object
  • ◆Costume folds are suggested economically, subordinated to the figure's face and the object she holds

See It In Person

Nationalmuseum

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Baroque
Genre
Genre
Location
Nationalmuseum, undefined
View on museum website →

More by Hendrick ter Brugghen

Roman Charity by Hendrick ter Brugghen

Roman Charity

Hendrick ter Brugghen·1622

Saint Jerome by Hendrick ter Brugghen

Saint Jerome

Hendrick ter Brugghen·c. 1621

Bagpipe Player by Hendrick ter Brugghen

Bagpipe Player

Hendrick ter Brugghen·1624

The Crucifixion with the Virgin and St John by Hendrick ter Brugghen

The Crucifixion with the Virgin and St John

Hendrick ter Brugghen·1625

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650