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A Grey Horse galloping in a field by George Stubbs

A Grey Horse galloping in a field

George Stubbs·1793

Historical Context

A Grey Horse Galloping in a Field from 1793 by George Stubbs captures a horse in free motion, demonstrating his understanding of equine locomotion at a moment before photography made it possible to verify empirically how horses actually moved. Stubbs's knowledge of equine anatomy, founded on eighteen months of dissection, gave him an understanding of the muscular mechanics of movement that no contemporary could match, but his depictions of horses at full gallop relied on observation and inference rather than photographic verification—which would eventually reveal that many conventional galloping depictions, including some by Stubbs, did not precisely match actual equine movement. The grey horse runs freely in a field without rider or groom, a study in pure equine movement. The work is held at the Royal Collection.

Technical Analysis

The galloping horse demonstrates Stubbs's anatomical understanding of equine locomotion, the movement captured with characteristic precision.

See It In Person

Royal Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
102.5 × 127.4 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Animal
Location
Royal Collection, London
View on museum website →

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The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs

The Third Duke of Dorset's Hunter with a Groom and a Dog

George Stubbs·1768

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances by George Stubbs

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

George Stubbs·1769

White Poodle in a Punt by George Stubbs

White Poodle in a Punt

George Stubbs·c. 1780

Lions and lioness: rocky background by George Stubbs

Lions and lioness: rocky background

George Stubbs·1776

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