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A Partridge hanging from a string, and a pitcher, a pomme d’apis and an orange on a stone ledge by Jean Siméon Chardin

A Partridge hanging from a string, and a pitcher, a pomme d’apis and an orange on a stone ledge

Jean Siméon Chardin·

Historical Context

This composition — a partridge hanging from a string alongside a pitcher, a pomme d'apis (a small red apple), and an orange on a stone ledge — belongs to Chardin's hunting-trophy and larder tradition, combining game with the produce that would accompany it in a well-stocked kitchen. The pomme d'apis was a specific variety of small, decorative apple common in eighteenth-century French still-life painting, its compact red form a reliable compositional element that Chardin used across multiple works. The partridge's feathers offer the same textural challenge as the hare and rabbit — softness, iridescence, and directional structure — that Chardin handled with exceptional skill. The string from which the bird hangs introduces a vertical element that activates the composition's upper register and creates a sense of the painting as a window onto a real domestic space. No confirmed institutional location has been identified for this work.

Technical Analysis

The hanging partridge requires the painter to manage the complex textures of wing feathers, breast down, and exposed feet within a single figure. Chardin differentiates these areas through careful variation of stroke direction and pressure, moving from smoothly blended breast tones to more distinct feather markings on the wings. The orange and apple below introduce warm, saturated colour notes that anchor the lower portion of the composition.

Look Closer

  • ◆Wing feathers are rendered with distinct directional marks that read as individual plumes from the appropriate viewing distance
  • ◆The hanging string creates a taut vertical that gives the composition a structural spine
  • ◆The small pomme d'apis provides a vivid red accent that draws the eye to the lower register
  • ◆The orange's rough skin texture is differentiated from the apple's smooth surface through visible brushwork variation

Quick Facts

Medium
canvas
Era
Rococo
Genre
Genre

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The White Tablecloth by Jean Siméon Chardin

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Kitchen Utensils with Leeks, Fish, and Eggs by Jean Siméon Chardin

Kitchen Utensils with Leeks, Fish, and Eggs

Jean Siméon Chardin·c. 1734

Still Life with Herrings by Jean Siméon Chardin

Still Life with Herrings

Jean Siméon Chardin·c. 1735

The House of Cards by Jean Siméon Chardin

The House of Cards

Jean Siméon Chardin·probably 1737

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Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

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