
A Saint, from the 'Jackdaw of Rheims'
Briton Rivière·1868
Historical Context
A Saint, from the 'Jackdaw of Rheims', painted in 1868 and in the McLean Museum in Greenock, takes its subject from The Ingoldsby Legends — Richard Barham's immensely popular 1840 collection of comic verse tales, of which The Jackdaw of Rheims was among the most beloved. The poem recounts a mischievous jackdaw who steals a cardinal's ring, is solemnly cursed by the church, and eventually achieves sainthood through his repentance. The saints depicted in the legend's margins or frontispieces provided Rivière with an early opportunity to combine animal painting (the jackdaw) with historical religious costume. Painted in the same year as his career was beginning, this early work suggests the direction his mature interests would take.
Technical Analysis
As a relatively early work from 1868, the painting shows Rivière developing the skills he would later perfect — animal characterization combined with period costume and religious setting. The jackdaw, as a medium-sized corvid, demands careful feather rendering and the specific alert intelligence of that species' expression.
Look Closer
- ◆The jackdaw is rendered with careful attention to feather texture and the species' characteristic intelligence
- ◆Medieval ecclesiastical costume grounds the Ingoldsby subject in its pseudo-historical setting
- ◆The comic nature of Barham's poem creates a light tonal register quite unlike Rivière's later serious works
- ◆This early canvas reveals the emerging combination of literary source and animal subject that would define his career
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