
A View of Felixstowe
John Brett·1893
Historical Context
A View of Felixstowe, painted in 1893 and in the National Gallery of Ireland, Dublin, documents the Suffolk seaside resort at a significant moment in its development. Felixstowe in the 1890s was transforming from a quiet fishing village into a fashionable seaside resort following railway connection in 1877, and its beach and coastal character were changing rapidly. Brett's interest was geological and meteorological rather than social — the beach's shingle and sand, the particular quality of the North Sea light on the Suffolk coast, and the broad flat horizon characteristic of the East Anglian coastline. The National Gallery of Ireland's acquisition of a Brett coastal painting reflects the artist's reputation in these final years of his career.
Technical Analysis
The East Anglian coast presents Brett with a very different compositional challenge from his Cornish or Welsh subjects — almost no rock, a very flat coastal profile, and the distinctive quality of North Sea light filtered through a typically hazy East Anglian atmosphere. His colour palette is correspondingly more muted and silvery than his Atlantic works.
Look Closer
- ◆The shingle beach texture is rendered with the individual attention Brett gave to geological surfaces, each pebble distinguishable
- ◆The North Sea light has a silvery, diffuse quality different from the harder light of the Atlantic coast
- ◆A very flat horizon typical of the East Anglian coast gives the composition an unusually expansive, open quality
- ◆Any human presence on the beach is small-scale and incidental, preserving the geological and meteorological focus
 - Kennack Sands, Cornwall, at Low Tide - WA1966.22 - Ashmolean Museum.jpg&width=600)
 - Kennack Sands - 2010.1 - Barber Institute of Fine Arts.jpg&width=600)
 - Polpeor Cove, The Lizard, Cornwall - 18192 - Government Art Collection.jpg&width=600)




.jpg&width=600)