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A Woman Adjusting Her Stocking
Jean François Millet·1848
Historical Context
A Woman Adjusting Her Stocking, painted in 1848 on panel and held at the Burrell Collection, Glasgow, is an unusual work in Millet's output — a genre scene of intimate female privacy that differs from both his monumental rural labour subjects and his portraiture. The depiction of a woman in an unguarded private moment, adjusting her clothing, participates in the tradition of intimate genre scenes familiar from seventeenth-century Dutch painting and developed by French genre painters in the eighteenth and early nineteenth centuries. The 1848 date makes this a transitional work, produced in the year of Millet's move to Barbizon. The Burrell Collection in Glasgow, assembled by the shipping magnate William Burrell, holds one of the most eclectic and important art collections in Scotland.
Technical Analysis
Oil on panel with the close-in, intimate handling appropriate to a small-scale scene of domestic privacy. The restricted spatial setting — possibly an interior — focuses attention on the figure's specific gesture and the momentary, unconsidered nature of the action.
Look Closer
- ◆The unguarded quality of the gesture — a private adjustment, not performed for any audience — gives the image the voyeuristic intimacy characteristic of this genre tradition
- ◆Panel support enables fine handling of the specific textures of stocking material, skin, and clothing fabric — a range of tactile surfaces within a small format
- ◆The seated or bent posture required by the action creates an unusual figural configuration different from Millet's characteristic standing or walking rural figures
- ◆The 1848 date places this at the hinge between Millet's urban genre period and his Barbizon rural subjects — a moment of stylistic transition visible in the subject choice





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