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Amédée-David, the Comte de Pastoret by Jean Auguste Dominique Ingres

Amédée-David, the Comte de Pastoret

Jean Auguste Dominique Ingres·1823

Historical Context

Ingres's portrait of Amédée-David, the Comte de Pastoret of 1823, painted during his Roman years, captures the young diplomat and art collector with a psychological acuity that transcends conventional portraiture. Pastoret was a member of the French cultural establishment who would later serve as minister and Academician, and his portrait reveals the subtle social performance of aristocratic self-presentation. Ingres's male portraits are among his greatest achievements, their psychological penetration and compositional economy revealing character through posture, gaze, and gesture with an economy that studio conventions ordinarily obscured.

Technical Analysis

Ingres's extraordinary precision in rendering the subject's features and costume creates a portrait of remarkable psychological intensity. The meticulous handling of the fabrics, the sitter's hands, and the facial expression demonstrates his unrivaled mastery of realist portraiture.

See It In Person

Art Institute of Chicago

Chicago, United States

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Quick Facts

Medium
Oil paint
Dimensions
103 × 83.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Art Institute of Chicago, Chicago
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Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839) by Jean Auguste Dominique Ingres

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Portrait of Luigi Edouardo Rossi, Count Pellegrino

Jean Auguste Dominique Ingres·c. 1820

Edmond Cavé (1794–1852) by Jean Auguste Dominique Ingres

Edmond Cavé (1794–1852)

Jean Auguste Dominique Ingres·1844

Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810) by Jean Auguste Dominique Ingres

Madame Edmond Cavé (Marie-Élisabeth Blavot, born 1810)

Jean Auguste Dominique Ingres·ca. 1831–34

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