ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Ananias by Edward Burne-Jones

Ananias

Edward Burne-Jones·1870

Historical Context

Ananias (1870) depicts the New Testament figure from Acts chapter 5, who with his wife Sapphira sold property but concealed part of the proceeds from the apostolic community, then fell dead upon confrontation by Peter. The subject—a story of deception, judgment, and instantaneous divine punishment—is unusual within Burne-Jones's output, which tends toward mythology and medieval romance rather than moralistic biblical narrative. Lady Lever Art Gallery holds this canvas from what appears to be a group of related works Burne-Jones produced around 1870 depicting figures from early Christian texts including Azarias and Ananias. The choice of these specific subjects may reflect a particular theological commission or interest in exploring the transition between the Old and New Testament worlds. By 1870 Burne-Jones was establishing himself as a major figure in British painting, and these biblical subjects demonstrate the full range of his narrative ambitions beyond his better-known mythological works.

Technical Analysis

Oil on canvas with a dramatic subject requiring the depiction of sudden collapse or divine confrontation. Burne-Jones's characteristic restraint of expression would temper the potentially theatrical nature of such a subject; his figure construction maintains elegance even in scenes involving physical extremity.

Look Closer

  • ◆The figure's physical state—collapse or confrontation—is rendered with Burne-Jones's characteristic preference for dignified restraint over theatrical exaggeration
  • ◆Architectural setting suggests the early Christian context of communal apostolic life in Jerusalem
  • ◆Garment and textile details maintain the precise decorative attention Burne-Jones brought to all figure work regardless of subject
  • ◆The moral weight of the subject contrasts with the aesthetic refinement of the execution, creating characteristic Victorian tension

See It In Person

Lady Lever Art Gallery

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Impressionism
Genre
Genre
Location
Lady Lever Art Gallery, undefined
View on museum website →

More by Edward Burne-Jones

Perseus and the Graiae by Edward Burne-Jones

Perseus and the Graiae

Edward Burne-Jones·1877

The Mirror of Venus. by Edward Burne-Jones

The Mirror of Venus.

Edward Burne-Jones·1877

Frieze of Eight Women Gathering Apples by Edward Burne-Jones

Frieze of Eight Women Gathering Apples

Edward Burne-Jones·1876

Cupid and Psyche - Palace Green Murals by Edward Burne-Jones

Cupid and Psyche - Palace Green Murals

Edward Burne-Jones·1876

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872