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Annunciation by Antonio da Correggio

Annunciation

Antonio da Correggio·1525

Historical Context

Correggio's Annunciation (c. 1525) at the Galleria Nazionale di Parma depicts the angel Gabriel's announcement to Mary with the atmospheric luminosity and soft figure handling of his mature style. The Annunciation — the moment of the Incarnation — was among the most theologically significant subjects in Christian art, and Correggio's treatment renders it with his characteristic combination of theological depth and emotional warmth. The angel's arrival is depicted not as a terrifying supernatural intrusion but as a gentle communication between the divine messenger and the young woman, her acceptance of the divine will expressed through posture and expression rather than theatrical gesture.

Technical Analysis

The soft, diffused light and warm palette create an atmosphere of quiet revelation, with the angel's graceful approach and the Virgin's gentle response rendered in Correggio's flowing, tender style.

See It In Person

Galleria nazionale di Parma

Parma, Italy

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Quick Facts

Medium
Oil on canvas
Dimensions
157 × 315 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Galleria nazionale di Parma, Parma
View on museum website →

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Pietà by Antonio da Correggio

Pietà

Antonio da Correggio·1512

Penitent Magdalene by Antonio da Correggio

Penitent Magdalene

Antonio da Correggio·1611

Lesender Amor (Nachfolger) by Antonio da Correggio

Lesender Amor (Nachfolger)

Antonio da Correggio·1520

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Virgin and Child with Saint Anne, Saint Gereon, and a Donor

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Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

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The Martyrdom of Saint John the Baptist by Bernard van Orley

The Martyrdom of Saint John the Baptist

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