
Apples, Peaches, Pears and Grapes
Paul Cézanne·1879
Historical Context
Apples, Peaches, Pears and Grapes from 1879, at the Hermitage Museum, is an early work in the long development of Cézanne's fruit arrangements, predating his most structurally complex compositions but already demonstrating his systematic approach to rendering different volumes and colors in relation to each other. The variety of fruits — rounded apples, ovoid pears, globular peaches, clustered grapes — gave him multiple different formal problems to solve simultaneously within a single composition. Russian collectors valued Cézanne early; the Shchukin and Morozov collections that formed the Hermitage's Western modern holdings included important Cézannes acquired in the 1890s and early 1900s.
Technical Analysis
The variety of fruits provides a range of formal problems in a single canvas: the spherical apple, the elongated pear, the textured grape cluster, the rounded peach. Each requires a slightly different application of Cézanne's method of building form through directional color planes.
Look Closer
- ◆Each fruit is a separate color-and-volume problem — Cézanne analyzes the peach's blush.
- ◆The arrangement is casual but not accidental — Cézanne built these compositions carefully before.
- ◆Grape clusters at the edge create a trailing linear element contrasting with the rounded volumes.
- ◆The tablecloth's color influences the shadows cast by every fruit.
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