
Mrs. Hugh Morgan and Her Daughter
Angelica Kauffmann·c. 1771
Historical Context
Kauffmann's portrait of Mrs. Hugh Morgan and Her Daughter from around 1771 exemplifies the intimate mother-and-child portraiture she excelled at during her London years. Kauffmann was one of the two female founding members of the Royal Academy (with Mary Moser) and the most celebrated female painter in Europe, her combination of classical history painting and fashionable portraiture making her a uniquely prominent figure in the male-dominated art world. Her female and family portraits brought a warmth and intimacy to the genre that was specifically associated with her gender in contemporary criticism — sometimes as praise, sometimes as condescension — but always as a defining characteristic of her distinctive contribution.
Technical Analysis
Kauffmann's oil on canvas features her characteristic soft, warm palette and graceful figure arrangement, with the tender interaction between mother and daughter rendered in the refined neoclassical style that defined her portraiture.
Provenance
Probably Mrs. Hugh Morgan, Cottles Town and Cork Abbey, Ireland [according to hand-written label on stretcher]; probably by descent to her daughter Catharine, Mrs. Robert Stearne Tighe, Mitchells Town, Ireland; possibly Tighe family, Ashgrove, Ellesmere, Shropshire, to around 1924 [see Lady Victoria Manners and G. C. Williamson, Angelica Kauffman, R.A.: Her Life and Her Works (New York, 1924), p. 29]. Mrs. Leigh E. Block, Chicago; given to the Art Institute, 1960.
See It In Person
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