
Portrait of a Man with Gray Hair
Sir Henry Raeburn·1810–20
Historical Context
Raeburn's Portrait of a Man with Gray Hair (1810–20) is characteristic of his mature Edinburgh manner — the bold brushwork that defines form through movement rather than detailed contour, the direct lighting that illuminates the face from a single strong source. Sir Henry Raeburn was Scotland's greatest portraitist, the undisputed master of Edinburgh's artistic life through the late Georgian period. His male portraits in particular are distinguished by a quality of direct psychological engagement: the sitter confronts the viewer across the centuries with an immediacy that reflects Raeburn's refusal to impose conventional pictorial distance between subject and beholder. The gray-haired man's composed, slightly challenging expression embodies the Scottish character that Raeburn celebrated throughout his career.
Technical Analysis
Raeburn's distinctive square-touch technique is evident in the bold modeling of the face. His characteristic use of strong directional light creates dramatic contrasts between illuminated and shadowed planes, giving the portrait sculptural force.
Provenance
Chauncey McCormick (died 1954), Chicago [according to an inscription in crayon on the stretcher]; his widow Marion Deering McCormick; given to the Art Institute by their sons Charles Deering McCormick, Brooks McCormick, and Roger McCormick, 1962.



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