ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Christ Washing the Disciples' Feet by Jan Lievens

Christ Washing the Disciples' Feet

Jan Lievens·c. 1630

Historical Context

Jan Lievens' Christ Washing the Disciples' Feet from around 1630 depicts the act of humble service that Christ performed at the Last Supper, a subject of particular significance in Reformed Dutch theology that emphasized service and humility. Lievens, who shared a studio with Rembrandt in Leiden in the late 1620s, developed an independent approach to biblical narrative that combined dramatic lighting with monumental figure types influenced by Rubens.

Technical Analysis

Lievens' oil-on-paper technique, mounted on panel, demonstrates his bold, energetic approach with dramatic Caravaggesque lighting and broadly painted figures. The large-scale ambition and dynamic composition distinguish his style from Rembrandt's more intimate approach to biblical subjects.

Provenance

Possibly Abraham Jacobsz Greeven, Amsterdam [inventory, 10 March 1660 lists "Een schilderijtie daer Christus de veeten wast van Rembrandt," see C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century, vol. 6, London, 1916, p. 94, no. 118b]. Possibly Harman Becker, Amsterdam [inventory of 19 October 1678 lists "een graeutie van Rembrant daer Cristus de voete wast," see A. Bredius, “Rembrandiana,” Oud Holland 28 (1910), p. 198]. Probably Huybert Ketelaar, Amsterdam, sold 19 June 1776, no. 175, to M. F. Klemper for 4 florins, 75 [see Hofstede de Groot, vol. 6, 1916, p. 94, no. 119, as on panel 19 x 24 inches, who links this picture with the grisaille in the Becker collection mentioned above]. Count Johann Nepomuk Wilczek (died 1922), Burg Kreuzenstein, near Vienna; his estate [Rotermund 1956 states that the picture was discovered in the estate of a Vienna collector]; E. and A. Silberman Galleries, Vienna and New York, by 1934 [Silberman probably acquired the picture directly from Wilczek’s heirs, see the vague hints in Rotermund 1952/53 and 1956, “Rembrandt Grisaille,” Art Digest 9 (1935) and “Rembrandt Works Recently Bought by The Art Institute,” Art News 33, no. 13 (1934)]; sold to the Art Institute, 1934.

See It In Person

Art Institute of Chicago

Chicago, United States

Visit museum website →

Quick Facts

Medium
Oil on paper, mounted on panel
Dimensions
46.8 × 60.6 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Religious
Location
Art Institute of Chicago, Chicago
View on museum website →

More by Jan Lievens

Bearded Man with a Beret by Jan Lievens

Bearded Man with a Beret

Jan Lievens·c. 1630

Still Life with Books by Jan Lievens

Still Life with Books

Jan Lievens·1620

Self-Portrait by Jan Lievens

Self-Portrait

Jan Lievens·1629

The Raising of Lazarus by Jan Lievens

The Raising of Lazarus

Jan Lievens·1631

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612