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Autour de ma maison by Henri-Edmond Cross

Autour de ma maison

Henri-Edmond Cross·1906

Historical Context

Autour de ma maison (Around My House), painted in 1906 and now in Moscow's Pushkin Museum, documents the immediate environment of Cross's home in Saint-Clair sur mer on the Var coast. The subject of the artist's own domestic garden landscape carries a distinct intimacy: unlike his grand Mediterranean vistas or mythological compositions, this work records the lived daily visual world of his home. The title's first-person possessiveness ('my house') reinforces this intimacy. Cross's property at Saint-Clair, where he lived with his companion Irma Clare from 1891 until his death in 1910, was a carefully cultivated Mediterranean garden whose flowers, trees, and light provided his most immediate subjects. The Pushkin Museum's acquisition — reflecting the broad Soviet-era collecting of Western European art — brought this intimate landscape to one of Russia's great museum collections. The 1906 date places the painting in Cross's mature late phase, when his technique had evolved toward the large-stroke expressionism that influenced the young Matisse.

Technical Analysis

The domestic garden landscape demonstrates Cross's mature late technique in an intimate format — large mosaic strokes of unmixed color building the garden's vegetation with vibrant intensity rather than botanical precision. The warm Mediterranean light pervading the garden space is Cross's primary subject.

Look Closer

  • ◆The first-person intimacy of the title — 'my house' — is matched by a particular warmth in the handling, the artist painting his most familiar daily environment.
  • ◆Garden plants and flowers are suggested through color patches rather than described botanically, the Divisionist mosaic rendering vegetation as pure color experience.
  • ◆The enclosed garden space creates a spatial intimacy different from Cross's expansive Mediterranean panoramas — light trapped and concentrated in a domestic paradise.
  • ◆The 1906 brushwork's large, free strokes are among his most expressive, each mark carrying considerable visual weight in the overall chromatic structure.

See It In Person

Pushkin Museum of Fine Arts

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Genre
Genre
Location
Pushkin Museum of Fine Arts, undefined
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More by Henri-Edmond Cross

Ponte San Trovaso (Venice) by Henri-Edmond Cross

Ponte San Trovaso (Venice)

Henri-Edmond Cross·1902

Regatta in Venice by Henri-Edmond Cross

Regatta in Venice

Henri-Edmond Cross·1903

On the River by Henri-Edmond Cross

On the River

Henri-Edmond Cross·1900

Marine Scene (Boats near Venice) by Henri-Edmond Cross

Marine Scene (Boats near Venice)

Henri-Edmond Cross·1903

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885