
Bathsheba at Her Bath
Paolo Veronese·1550
Historical Context
Bathsheba at Her Bath by Paolo Veronese, painted around 1550-60 and now in the Louvre, depicts the Old Testament scene (2 Samuel 11) where King David, walking on his palace roof, sees the beautiful Bathsheba bathing below — his desire leading to his arrangement of her husband Uriah's death and the subsequent divine punishment. Veronese transforms this morally complex narrative of voyeurism, lust, and abuse of royal power into an elegant scene of feminine beauty centered on Bathsheba's luminous figure, the biblical context providing a frame for the display of the female nude. The subject invited comparison with Susannah and the Elders, the other standard Old Testament bath scene, and Veronese treated both multiple times. The Louvre's Bathsheba, part of the museum's extensive Venetian collection, was acquired through the combination of royal collecting and revolutionary confiscations that built the French national collection into one of the world's largest repositories of Italian Renaissance and Baroque painting.
Technical Analysis
The luminous rendering of Bathsheba's flesh and the elaborate costume of her attendants demonstrate Veronese's characteristic warm palette and his gift for transforming biblical narrative into scenes of Venetian elegance.
Look Closer
- ◆Notice the luminous rendering of Bathsheba's flesh and the elaborate costume of her attendants — Veronese transforms the morally charged narrative into an elegant scene of feminine beauty.
- ◆Look at the warm palette and characteristic Venetian elegance that characterize this treatment of the biblical subject.
- ◆Observe how the biblical context provides license for the sensuous rendering of the female form within a moralizing narrative framework.


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