ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Blow Blow Thou Winter Wind by John Everett Millais

Blow Blow Thou Winter Wind

John Everett Millais·1892

Historical Context

Blow Blow Thou Winter Wind of 1892, now at Auckland Art Gallery, takes its title from the famous song in Shakespeare's As You Like It — 'Blow, blow, thou winter wind, / Thou art not so unkind / As man's ingratitude.' The song, sung by Amiens in the Forest of Arden, contrasts the honest cruelty of nature with the more painful wounds inflicted by human betrayal and forgetfulness. Millais's late choice of this title for a painting of a woman in wintry conditions invests the image with Shakespearean resonance and a note of emotional suffering. By 1892 Millais was near the end of his life — he died in 1896 — and this late work carries something of the retrospective gravity of an artist looking back. Auckland acquired several Victorian paintings in the late nineteenth and early twentieth centuries, reflecting New Zealand's cultural connections with Britain.

Technical Analysis

Oil on canvas, the work reflects Millais's late technique: broad, confident handling with less emphasis on the crisp detail of his earlier work. The winter scene would have been rendered with cool blues, greys, and muted greens, creating an atmosphere of cold that mirrors the Shakespearean theme of nature's harsh but honest sting.

Look Closer

  • ◆The wintry setting is not merely atmospheric but thematically active, directly invoking the Shakespearean song quoted in the title.
  • ◆The figure's exposure to wind and cold externalises an inner emotional state — the painting reads as both literal scene and emotional metaphor.
  • ◆Late Millais brushwork is visible here — broad and painterly, a long way from the precision of his Pre-Raphaelite years.
  • ◆The cool, desaturated palette of winter restricts the colour range deliberately, enforcing a mood of austerity and endurance.

See It In Person

Auckland Art Gallery Toi o Tāmaki

,

Visit museum website →

Quick Facts

Medium
canvas
Era
Romanticism
Genre
Genre
Location
Auckland Art Gallery Toi o Tāmaki, undefined
View on museum website →

More by John Everett Millais

Pizarro Seizing the Inca of Peru by John Everett Millais

Pizarro Seizing the Inca of Peru

John Everett Millais·1846

Ferdinand Lured by Ariel by John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais·1850

Mrs James Wyatt Jr and her Daughter Sarah by John Everett Millais

Mrs James Wyatt Jr and her Daughter Sarah

John Everett Millais·1850

Christ in the House of His Parents by John Everett Millais

Christ in the House of His Parents

John Everett Millais·1849

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836