ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Charles Cornwallis (1774–1823), Viscount Brome by George Romney

Charles Cornwallis (1774–1823), Viscount Brome

George Romney·1795

Historical Context

Charles Cornwallis, Viscount Brome, was the son of the 2nd Marquess Cornwallis and grandson of the more famous Charles Cornwallis, 1st Marquess, the general who surrendered at Yorktown and later served as Governor-General of India. George Romney's 1795 portrait, now at Eton College, depicts the young viscount at around twenty-one, at Eton during or just after his time there. The portrait belongs to Romney's substantial series of Etonian likenesses and captures the young aristocrat with the characteristic ease Romney deployed for his aristocratic youth subjects. Viscount Brome would succeed to the marquisate in 1823 but lived a relatively quiet life. The portrait's value lies partly in its documentation of a prominent family's dynastic continuity across generations of painted record. The Cornwallis name carried enormous weight in late Georgian Britain, and the young viscount inherited that weight along with the family title.

Technical Analysis

Romney's 1795 handling is the work of a painter in the final years of his London practice, when his health was beginning to affect his output. Nevertheless, the Eton commission received careful attention: the face is observed with precision, the composition follows the three-quarter format Romney had refined over decades of similar commissions. The warm tonality is consistent with his approach to aristocratic youth.

Look Closer

  • ◆The young viscount carries the easy social assurance of a man born into one of the most famous names in British military history
  • ◆Romney's handling in 1795 shows slight evidence of the declining energy of his final London years without compromising the portrait's quality
  • ◆The Eton College setting connects this portrait to the dynastic continuity of aristocratic families across generations of school attendance
  • ◆The composition's relaxed composure distinguishes it from the more formal portraits Romney made of older, established public figures

See It In Person

Eton College

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Neoclassicism
Genre
Genre
Location
Eton College, undefined
View on museum website →

More by George Romney

Mrs. Francis Russell by George Romney

Mrs. Francis Russell

George Romney·1785–87

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782) by George Romney

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)

George Romney·1781

Admiral Sir Chaloner Ogle (1726–1816) by George Romney

Admiral Sir Chaloner Ogle (1726–1816)

George Romney·1754

Portrait of a Man by George Romney

Portrait of a Man

George Romney·1754

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770