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Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent by Pierre Paul Prud'hon

Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Bénévent

Pierre Paul Prud'hon·1807

Historical Context

Prud'hon's 1807 portrait of Talleyrand, now in the Musée Carnavalet, captures the most celebrated survivor of French political life at a moment of his greatest power: Talleyrand served Napoleon as Foreign Minister from 1799 to 1807, and this portrait was made in the year of his resignation from that role. Talleyrand's extraordinary career — priest, revolutionary politician, Napoleonic minister, and eventual architect of the Restoration — made him both fascinating and deeply ambiguous to contemporaries. Prud'hon, who rarely painted male portraits with the same investment he brought to his allegorical and female subjects, here produces a work of considerable psychological interest. The Carnavalet, Paris's museum of city history, holds the portrait as part of its comprehensive collection of depictions of historical figures connected to Parisian political life across the centuries.

Technical Analysis

The bust-length format with plain or architectural background focuses entirely on the sitter's face and bearing. Prud'hon renders the famous physiognomy — Talleyrand's known features, including the slightly lame posture — with his characteristic softness, avoiding the sharp linear definition that David's school imposed on official portraits while maintaining readable likeness.

Look Closer

  • ◆The subtlety of Talleyrand's expression — neither smiling nor severe — communicates the diplomatic inscrutability for which the sitter was legendarily famous.
  • ◆The costume and decorations are rendered with sufficient precision to date the portrait and identify the sitter's official role without turning the face into a mere vehicle for institutional display.
  • ◆Prud'hon's soft, atmospheric modeling of the flesh tones gives the portrait a warmth that humanizes a subject often depicted as cold or calculating in political caricature.
  • ◆The eyes — the center of psychological interest in any portrait — are given the highest degree of finish in the face, asserting Talleyrand's famous penetrating intelligence.

See It In Person

Musée Carnavalet

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Quick Facts

Medium
canvas
Era
Neoclassicism
Genre
Genre
Location
Musée Carnavalet, undefined
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