Stewart%2C_Later_3rd_Marquess_of_Londonderry%2C_1812%2C_oil_on_canvas%2C_National_Portrait_Gallery%2C_London.jpg&width=1200)
Charles William Vane-Stewart, 3rd Marquess of Londonderry
Thomas Lawrence·1812
Historical Context
Charles Stewart, 3rd Marquess of Londonderry, painted by Lawrence around 1812 and at the National Portrait Gallery, was the half-brother of Lord Castlereagh — Foreign Secretary and the principal British architect of the Congress of Vienna settlement — and one of the most colorful military figures of the Peninsular War. Where Castlereagh was cerebral, calculating, and politically brilliant, Stewart was flamboyant, hot-tempered, and physically courageous to the point of recklessness, serving as Adjutant-General to Wellington's army in the Peninsula with a personal bravery that earned admiration alongside the professional frustration that his impulsive behavior sometimes caused. His subsequent career as ambassador to Vienna, where he presided over one of the most elaborate salons in Europe, combined genuine diplomatic intelligence with the personal extravagance that made him both celebrated and occasionally ridiculous. Lawrence's portrait captures the cavalryman's energy with the bravura brushwork that was itself a kind of painterly equivalent to Stewart's physical dash — the composition dynamic, the military dress rendered with theatrical force, the whole effect suggesting a man for whom the boundaries of acceptable behavior were perpetually negotiable.
Technical Analysis
Lawrence captures the cavalryman's dashing personality with characteristic verve, using dynamic composition and warm palette. The military uniform and decorations are rendered with fluid precision that conveys both splendor and martial energy.
Look Closer
- ◆Notice the flamboyant military energy Lawrence captures in Stewart: the cavalryman's dashing personality is evident in every aspect of the dynamic composition.
- ◆Look at the military uniform rendered with fluid precision: Stewart was as famous for his splendid appearance as his military exploits.
- ◆Observe the warm palette and bravura brushwork: Lawrence applies his most energetic technique to a subject whose personality demanded it.
- ◆Find the contrast with his half-brother Castlereagh's portrait: Stewart's swagger contrasts sharply with the Foreign Secretary's cerebral reserve.
See It In Person
More by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely
Thomas Lawrence·c. 1805
%2C_Later_Countess_of_Derby_MET_DP169218.jpg&width=600)
Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby
Thomas Lawrence·1790
_MET_DP162148.jpg&width=600)
The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)
Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P.
Thomas Lawrence·c. 1822



