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Chevy Chase by Edwin Henry Landseer

Chevy Chase

Edwin Henry Landseer·c. 1838

Historical Context

Chevy Chase takes its subject from the famous medieval English ballad recounting a border conflict between the Percy and Douglas families. The subject allowed Landseer to combine his expertise in painting deer and dogs with dramatic narrative, creating a work that appealed to the Victorian taste for literary and historical subjects. Edwin Henry Landseer, the most celebrated animal painter in Victorian Britain, combined exceptional technical mastery of animal anatomy with the capacity to invest his subjects with human emotional significance. His training under Benjamin West at the Royal Academy gave him the academic foundations; his lifelong observation of animals in the wild (particularly in Scotland) and in captivity gave him the specific knowledge that made his animals convincing. Queen Victoria's patronage and the wide dissemination of his work through engravings made his images of dogs, deer, and Highland scenes among the most reproduced images of the Victorian era, shaping the culture's visual understanding of the animal world and the British landscape.

Technical Analysis

The tumultuous hunting scene is rendered with dynamic brushwork conveying motion and violence. Landseer’s mastery of animal anatomy is evident in the twisting, falling deer and the straining hounds.

Look Closer

  • ◆The conflict between Percy and Douglas families is expressed through intermingled deer, dogs, and armed figures — species and factions commingled in battle.
  • ◆Landseer deploys his animal painting skills at the service of historical narrative — the deer's terror and dogs' aggression rendered with behavioural truth.
  • ◆The rocky border terrain provides geological specificity to the medieval subject — Chevy Chase being on the English-Scottish border.
  • ◆Dead and wounded deer in the foreground carry the pathos that Landseer always brought to fallen animals, even within a celebratory hunt narrative.

See It In Person

Sheffield Galleries and Museums Trust

Sheffield, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
44.4 × 60.4 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Sheffield Galleries and Museums Trust, Sheffield
View on museum website →

More by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

Copy after Rubens's "Wolf and Fox Hunt" by Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Edwin Henry Landseer·ca. 1824–26

Dying Stag by Edwin Henry Landseer

Dying Stag

Edwin Henry Landseer·ca. 1830

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