ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Christ among the Doctors by Cima da Conegliano

Christ among the Doctors

Cima da Conegliano·1504

Historical Context

Christ Among the Doctors — the twelve-year-old Jesus debating with the learned rabbis in the Temple at Jerusalem — was a subject that combined narrative drama with the opportunity for varied character studies of the astonished scholars. Luke 2:41–52 provided the only glimpse of Christ's childhood in the canonical gospels, and painters exploited the scene for its psychological possibilities: the learned men confounded by a child's wisdom. Cima da Conegliano's 1504 version, now in Warsaw's National Museum, deploys the subject within his characteristic compositional method — figures arranged around a central protagonist in a shallow pictorial space, individual faces differentiated to create a sense of collective response. The Warsaw acquisition of this work reflects the dispersal of Venetian Renaissance paintings through European collections from the sixteenth century onward.

Technical Analysis

The multi-figure composition required more complex spatial organization than Cima's devotional Madonnas. Doctors and rabbis are arranged in a semicircle around the young Christ, their varied ages and expressions providing visual and psychological variety. Cima uses his characteristic warm palette while managing the challenge of differentiating figures through costume and facial type rather than the landscape settings that animated his devotional works.

Look Closer

  • ◆Varied expressions of the doctors — astonishment, skepticism, attentive concentration — create a psychological study of collective response to unexpected wisdom
  • ◆Christ at center rendered as a child in scale but with the self-possessed gravity of one who knows his divine nature
  • ◆Elderly scholars' faces given the most characterization — wrinkles, beards, and expressions developed as individual studies
  • ◆Temple setting indicated through architecture that establishes institutional authority without elaborate spatial elaboration

See It In Person

National Museum in Warsaw

,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
Unknown
Era
High Renaissance
Genre
Religious
Location
National Museum in Warsaw, undefined
View on museum website →

More by Cima da Conegliano

Madonna and Child with Saints Francis and Clare by Cima da Conegliano

Madonna and Child with Saints Francis and Clare

Cima da Conegliano·ca. 1510

Madonna and Child with Saint Jerome and Saint John the Baptist by Cima da Conegliano

Madonna and Child with Saint Jerome and Saint John the Baptist

Cima da Conegliano·c. 1492/1495

Virgin and Child by Cima da Conegliano

Virgin and Child

Cima da Conegliano·1500

Madonna and Child by Cima da Conegliano

Madonna and Child

Cima da Conegliano·1504

More from the High Renaissance Period

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515

Virgin and Child with Saint Anne, Saint Gereon, and a Donor by Bartholomaeus Bruyn the Elder

Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

Bartolomeo di Giovanni·1490/95