A Boy in a Red-lined Cloak
Jean-Honoré Fragonard·1780s
Historical Context
A Boy in a Red-Lined Cloak (1780s), in the Cleveland Museum of Art, is a late portrait study that demonstrates Fragonard's continued mastery of brushwork even as the Rococo style he championed was falling out of fashion. The boy's red-lined cloak provides a brilliant chromatic focal point, Fragonard building the rich textile from bold, confident strokes that reveal his extraordinary technical facility. By the 1780s, the Neoclassical movement led by Jacques-Louis David was displacing Rococo painting from official favor, and Fragonard's career declined as tastes shifted toward the austere classicism that accompanied the revolutionary era. This late work preserves the vibrancy and charm of a style whose days were numbered.
Technical Analysis
Painted on wood panel with rapid, fluid strokes, the red lining of the cloak is rendered in warm, saturated vermilion that contrasts with cooler flesh tones. Fragonard's characteristic speed is evident in the summary treatment of features and the energetic, calligraphic handling of hair and fabric.
Provenance
Hippolyte Walferdin [1795-1880], Paris, France; (Sale: Hôtel Drouot, Paris, France, Walferdin sale, April 12-14, 1880, no. 4); Comte Cahen d’Anvers, probably Edouard [1832-1894]; Nicolas Ambatielos [1885-1956], London, England; (Wildenstein & Co., New York, NY); Grace Rainey Rogers [1867-1943], New York, NY, given to the Cleveland Museum of Art; The Cleveland Museum of Art, Cleveland, Ohio






