ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of a Woman by Rembrandt van Rijn

Portrait of a Woman

Rembrandt van Rijn·1635 or earlier

Historical Context

Rembrandt's Portrait of a Woman (1635 or earlier) at the Cleveland Museum is an early female portrait showing his developing mastery of the Amsterdam portrait tradition before his style reached the introspective depth of his later work. In the 1630s Rembrandt was the most fashionable portraitist in Amsterdam, producing a steady stream of commissions from the merchant elite that had made the city the commercial capital of the world. His early portraits combined the formal conventions of Dutch portraiture — the black costume, the white ruff, the neutral background — with an emerging psychological penetration that went beyond mere documentation to suggest the inner life of his subjects.

Technical Analysis

The portrait on wood shows Rembrandt's early Amsterdam style with careful, detailed modeling of the face and costume. The warm flesh tones and dark background create the characteristic chiaroscuro that defines his portrait manner.

Provenance

Capo de Lista family collection (?) (Padua, Italy); Barbini-Breganze coll., Venice (1847) cat. no. 204;; Städelsches Kunstinstitut (Frankfurt am Main, Germany) (inv. no. 927), 1847 to 1882;; sold, Paris, May 5, 1882, no. 30;; Charles Sedelmeyer (Paris, France);; Karl von der Heydt (Berlin, Germany) (1906);; A.B. Antik (Stockholm, Sweden); consigned to Knoedler & Co. (New York, and London, England, 1919);; sold to Elisabeth Severance Prentiss (Cleveland, Ohio), in exchange for John Hoppner, Portrait of Mrs. Jermingham and Herman Kricheldorf, Still-Life with Lobster, 1919, upon her death, held in trust by the estate; Estate of Elisabeth Severance Prentiss, by bequest to the Cleveland Museum of Art, 1944.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
77.5 × 64.8 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
Cleveland Museum of Art, Cleveland
View on museum website →

More by Rembrandt van Rijn

Jacob's Farewell to Benjamin by Rembrandt van Rijn

Jacob's Farewell to Benjamin

Rembrandt van Rijn·c. 1655

Old Man with a Gold Chain by Rembrandt van Rijn

Old Man with a Gold Chain

Rembrandt van Rijn·1631

The Raising of Lazarus by Follower of Rembrandt van Rijn

The Raising of Lazarus

Follower of Rembrandt van Rijn·c. 1630

Young Man in a Turban by Follower of Rembrandt van Rijn

Young Man in a Turban

Follower of Rembrandt van Rijn·c. 1650

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612