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Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany) by Giovanni Battista Tiepolo

Study for "The Martyrdom of Saint Sebastian" (for the Augustinian monastery at Diessen, Germany)

Giovanni Battista Tiepolo·1739

Historical Context

Study for The Martyrdom of Saint Sebastian for the Augustinian monastery at Diessen, Germany, painted in 1739 and now in the Cleveland Museum, is a preparatory oil sketch for one of Tiepolo's altarpiece commissions in Bavaria. The painting demonstrates his working process — establishing composition, color, and lighting in fluid oil sketches before executing the finished work. Tiepolo's German commissions reflect the extensive patronage networks that connected Italian artists with Central European churches and palaces during the eighteenth century. These modelli are today valued for their spontaneous energy and the insight they provide into the creative process of one of the greatest painters in European art history.

Technical Analysis

The oil study shows Tiepolo's rapid compositional planning, with the saint's upward gaze and arching body creating a dynamic diagonal. The warm flesh tones contrast with cooler sky tones, and the arrows are rendered as strong linear accents.

Look Closer

  • ◆The martyrdom scene combines earthly violence with heavenly promise — look for the contrast between the suffering below and the divine light or angels above.

Provenance

Sale, Munich, 1804, unsold and then transferred to the Zentralgemäldegalerie; Bayerischen Staatsgemäldesammlungen, Munich, deaccessioned and sold at auction; (Sale, Schloss Schleißheim, Augsburg, April 13-23, 1852, lot 16, sold to “Eberle”); Possibly Robert Eberle [1815-1860], Munich, probably by descent to a Vienna collector1; Collector, Vienna, sold to a “minor collector”1; “Minor collector,” Vienna, probably sold or consigned to Galerie Fröhlich1; (Galerie Fröhlich, Vienna, sold to Jacques Seligmann & Co.)1; (Jacques Seligmann & Co., New York, NY, probably sold to Dr. Max Kadisch)1; Probably Dr. Max Kadisch, Vienna, to Jacques Seligmann & Co.1; (Jacques Seligmann & Co., New York, New York, sold to the Cleveland Museum of Art)1; The Cleveland Museum of Art, Cleveland, Ohio Delia E. Holden and L.E. Holden Funds

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
51.7 × 31.7 cm
Era
Rococo
Style
Venetian Rococo
Genre
Religious
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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Armida Encounters the Sleeping Rinaldo by Giovanni Battista Tiepolo

Armida Encounters the Sleeping Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and the Magus of Ascalon by Giovanni Battista Tiepolo

Rinaldo and the Magus of Ascalon

Giovanni Battista Tiepolo·c. 1742–45

Armida Abandoned by Rinaldo by Giovanni Battista Tiepolo

Armida Abandoned by Rinaldo

Giovanni Battista Tiepolo·c. 1742–45

Rinaldo and Armida in Her Garden by Giovanni Battista Tiepolo

Rinaldo and Armida in Her Garden

Giovanni Battista Tiepolo·c. 1742–45

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700