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Scenes of Witchcraft: Morning by Salvator Rosa

Scenes of Witchcraft: Morning

Salvator Rosa·c. 1645–1649

Historical Context

Rosa's Scenes of Witchcraft: Morning is part of his remarkable series of four witchcraft paintings now in the Cleveland Museum, depicting supernatural practices from morning through night. Rosa painted witchcraft subjects throughout his career, drawn to their combination of the grotesque, the supernatural, and the social critique — witchcraft as practiced in his pictures was a system of transgression that allowed him to explore the underside of established religious and social order. His witchcraft series was unusual in structuring the supernatural narrative across the cycle of a day, creating a temporal framework that suggested the constant presence of occult practice beneath the surface of ordinary life.

Technical Analysis

Rosa's dramatic technique renders the witchcraft scene with dark, atmospheric tones and energetic, gestural brushwork. The figures are painted with distorted, expressive forms that suggest supernatural transformation. The morning light is suggested through subtle warmth in the palette while maintaining the overall dark, sinister atmosphere.

Provenance

Niccolini Family (Florence, Italy) by 1657; Private collection (Florence, Italy); Heim Gallery (London, England), sold to the Cleveland Museum of Art, 1977.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
54.5 cm
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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Salvator Rosa·1655–60

The Dream of Aeneas by Salvator Rosa

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