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Scenes of Witchcraft: Day by Salvator Rosa

Scenes of Witchcraft: Day

Salvator Rosa·c. 1645–1649

Historical Context

Rosa's Scenes of Witchcraft: Day completes the Cleveland cycle — a daylight witchcraft scene that demonstrates how completely the occult world interspersed with ordinary life in his conception. The daylight setting made Rosa's practitioners less dramatically lit but arguably more unsettling, their activities rendered in the clear visibility of normal experience rather than sheltered by concealing darkness. The cycle's temporal organization — morning, day, evening, night — suggested that supernatural transgression was not confined to night's concealment but was continuous with ordinary temporal experience, a disturbing claim about the permeability between the social world and its supernatural underside.

Technical Analysis

Rosa renders the daytime scene with brighter, more varied tones than the other panels, creating an unsettling contrast between normal daylight and supernatural activity. The landscape is painted with characteristic wildness, while the figures are depicted with the gestural, expressive brushwork that defines Rosa's unique approach.

Provenance

Family of the Marchese Giovanni Niccolini, Florence; [Heim Gallery, London]. Purchase from the J. H. Wade Fund, 1977.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
54.5 cm
Era
Baroque
Style
Italian Baroque
Genre
Genre
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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