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Combat of a Greek and a Turk by Horace Vernet

Combat of a Greek and a Turk

Horace Vernet·after 1835

Historical Context

Vernet's Combat of a Greek and a Turk, painted after 1835, reflects the continuing French Philhellene sentiment following the Greek War of Independence (1821-1829) that had mobilized European liberal opinion and attracted Delacroix, Byron, and many others. The combat between a Greek and a Turk provided Vernet with the martial subject that was his primary specialty, combined with the Orientalist visual vocabulary of distinctive costumes and weapons that he had developed throughout his career. His Greek and Turkish combat scenes contributed to the cultural mythology of the Greek War as a struggle between European civilization and Oriental barbarism.

Technical Analysis

Vernet's oil on fabric captures the violence of close combat with dynamic figure composition, vivid color contrasts between the combatants' costumes, and the energetic brushwork that animates his military subjects.

Provenance

Jan Milner, London. Shepherd Gallery, New York. Bought in February 1974 by Mr. and Mrs. Noah L. Butkin, Cleveland. Bequeathed to the CMA in 1980.

See It In Person

Cleveland Museum of Art

Cleveland, United States

Visit museum website →

Quick Facts

Medium
Oil on fabric
Dimensions
75 × 55 cm
Era
Romanticism
Style
French Romanticism
Genre
Mythology
Location
Cleveland Museum of Art, Cleveland
View on museum website →

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Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

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Portrait of Emmanuel Rio

Albert Schindler·1836