
Coriolan supplié par sa famille
Nicolas Poussin·1652
Historical Context
Coriolanus Entreated by His Family from 1652 at the Musée Nicolas-Poussin in Les Andelys depicts the Roman general persuaded by his mother Veturia and wife Volumnia to spare Rome from the sack he had promised to exact with his Volscian allies. Shakespeare dramatized the same story; Poussin treated it as a philosophical meditation on the conflict between duty to the state and personal feeling — a Roman general ultimately choosing his private loyalties over his public rage. Working in Rome from 1624 onwards, Poussin served a cultivated international clientele who prized his learned, disciplined approach to classical antiquity, and the Coriolanus subject exemplified the kind of exemplary Roman virtue that he found philosophically compelling. His correspondence reveals a painter who regarded painting as philosophy made visible, and the Coriolanus story's examination of conflicting obligations gave him rich material. The Musée Nicolas-Poussin, in the Norman town where he was born, holds this as part of the collection dedicated to the region's most famous painter.
Technical Analysis
The multi-figure composition dramatizes the moral conflict through gesture and expression. Poussin's classical handling and measured palette create a scene of philosophical gravity.
Look Closer
- ◆Coriolanus appears on horseback at the right, his superior elevation and military bearing contrasting with the suppliant women below.
- ◆The women's gestures are varied — Veturia raises both hands in appeal while Volumnia presents the children as living arguments for mercy.
- ◆Roman soldiers and Volscian warriors form a silent audience in the background, their presence giving the confrontation the weight of public consequence.
- ◆Classical arches and a distant city frame the domestic drama within a public political context, connecting personal decision to historical consequence.





