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Coronation of Mary by Antonio Vivarini

Coronation of Mary

Antonio Vivarini·1444

Historical Context

Antonio Vivarini created this work around 1444. The painting reflects the artistic culture of the Early Renaissance, when European painters were developing increasingly naturalistic approaches to representation through the study of perspective and natural observation. The Early Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.

Technical Analysis

The Madonna's pose and the Christ Child's gestures follow codified devotional types, with the artist investing these conventional forms with individual character through subtle variations in expression and color.

See It In Person

Chiesa di San Pantalon

Venice, Italy

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
230 × 180 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
History
Location
Chiesa di San Pantalon, Venice
View on museum website →

More by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450

Saint Peter Martyr Healing the Leg of a Young Man by Antonio Vivarini

Saint Peter Martyr Healing the Leg of a Young Man

Antonio Vivarini·ca. 1450

Altar of Passion by Antonio Vivarini

Altar of Passion

Antonio Vivarini·1430

Polyptych of Saint Ursula by Antonio Vivarini

Polyptych of Saint Ursula

Antonio Vivarini·1440

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

The Adventures of Ulysses by Apollonio di Giovanni

The Adventures of Ulysses

Apollonio di Giovanni·1435–45

A Bishop Saint by Bartolomé Bermejo

A Bishop Saint

Bartolomé Bermejo·c. 1480