Das blaue Zimmer
Édouard Vuillard·1916
Historical Context
Das blaue Zimmer (The Blue Room) at the Albertina in Vienna, painted in 1916, shows Vuillard treating a domestic interior dominated by an unusually cool chromatic key — blue-toned walls or furnishings requiring a response quite different from the warm ochres and reds that typically dominated his interiors. His attention to the specific chromatic character of individual rooms — the way dominant colors defined a room's emotional atmosphere — was systematic throughout his career, and a blue room presented him with a different formal and emotional challenge than his typical warm-dominant interiors. The Albertina, primarily known for its drawings collection but holding important paintings as well, acquired this canvas as part of its engagement with French modernism. The cool dominant of the blue room gave Vuillard an atmospheric coldness unusual in his work — not the cold of distance or alienation but the specific coolness of a northerly room with particular furnishings and light conditions, rendered with his characteristic small-touch surface and close-valued palette.
Technical Analysis
The cool blue dominant creates a different tonal atmosphere than most of Vuillard's domestic work, with the warm accents of skin and objects reading against the surrounding cool. The paint surface maintains his characteristic small-touch application across all elements of the composition.
Look Closer
- ◆The dominant blue throughout creates an unusually cool interior for Vuillard.
- ◆The figure absorbs some of the room's blue tone rather than standing separate.
- ◆Vuillard's war-period work shows more conventional spatial recession than his Nabi years.
- ◆One warm window pool provides the single chromatic release within the blue scheme.



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