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David and Goliath
Jusepe de Ribera·1620
Historical Context
David and Goliath by Ribera, painted around 1620, depicts the shepherd boy's triumph over the Philistine giant whose defiance of the Israelite armies had paralyzed them with fear. Ribera's treatment brings his characteristic naturalism to this popular Old Testament subject, presenting the young David not as an idealized hero but as a real youth whose victory over the massive Goliath makes the divine dimension of the story all the more vivid. Ribera's Old Testament subjects bring the same unflinching naturalism to biblical narrative that characterizes his saints. Working in oil on canvas, he built form through strong tonal contrasts, applying thick impasto to highlighted areas while keeping shadows transparent — a technique learned from his close study of Caravaggio that gives his figures their characteristic sculptural presence and immediate physicality.
Technical Analysis
The young David and the giant's head are rendered with Ribera's bold naturalism and dramatic chiaroscuro. The composition emphasizes the physical contrast between youth and the slain giant.
Look Closer
- ◆David holds Goliath's severed head with a grip that makes the enormous weight appear manageable.
- ◆Goliath's face in death retains the heavy-featured mass of a giant warrior.
- ◆David's youth is visible in his smooth face and slender arms.
- ◆Ribera renders David's skin with warm golden light — the shepherd's outdoor life made visible.


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