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David Cornfoot by Thomas Lawrence

David Cornfoot

Thomas Lawrence·c. 1800

Historical Context

David Cornfoot, painted by Lawrence around 1800 and at Royal Hospital Chelsea, belongs to the category of relatively obscure sitters whose portraits document the breadth of Lawrence's practice rather than its most celebrated achievements. The Royal Hospital Chelsea, founded by Charles II and designed by Christopher Wren as a home for veteran soldiers — the Chelsea Pensioners — would be an unusual institutional home for a commissioned portrait unless Cornfoot was a hospital official or benefactor. Lawrence's consistent quality across the full social range of his practice is demonstrated by works like this one: Cornfoot may have been a physician, administrator, or benefactor of the hospital whose portrait was commissioned for its collection, and Lawrence treated the commission with the same observational care he brought to Wellington and the Pope. The Chelsea Pensioners' tradition of wearing the distinctive scarlet uniform creates a strong visual identity for the institution; Cornfoot's portrait, whatever his specific role, belongs to the documentary record of the people who administered and sustained this important charitable institution for veteran soldiers.

Technical Analysis

The institutional setting of the commission is reflected in a dignified but unshowy treatment, with Lawrence reserving his most expressive brushwork for the face. The dark background and sober costume direct attention to the sitter's character rather than his social status.

Look Closer

  • ◆Notice the dignified but unshowy treatment appropriate to a commission outside the aristocratic circuit.
  • ◆Look at the dark background and sober costume directing attention to the sitter's character rather than social status.
  • ◆Observe Lawrence's consistent professional standard: even obscure sitters receive the same psychological attention he brought to famous subjects.
  • ◆Find the expressive brushwork reserved for the face: Lawrence concentrates his virtuosity where personality expresses itself.

See It In Person

Royal Hospital Chelsea

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
75 × 60 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Royal Hospital Chelsea, London
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

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Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

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