ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Die Parze Lachesis by Rosalba Carriera

Die Parze Lachesis

Rosalba Carriera·1735

Historical Context

Rosalba Carriera's 1735 depiction of Lachesis — one of the three Fates of classical mythology, whose role was to measure the thread of mortal life — represents the allegorical strand of her practice alongside portraiture. The Bavarian State Painting Collections hold this work, suggesting it entered German collections through the extensive eighteenth-century trade in Venetian art. In the Rococo era, allegorical figures were typically depicted with the softened, feminised features characteristic of the period's taste, and Lachesis, with her distaff or measuring rod, offered a subject at once learned and aesthetically pleasing. Carriera could draw on her experience in miniature painting, decorative work, and portraiture to create figure compositions that balanced classical reference with contemporary grace. The subject of fate and time's measurement also carried a certain melancholy undercurrent appropriate for the late phase of Carriera's own career, though whether this was intentional is impossible to determine.

Technical Analysis

Allegorical figures allowed Carriera to work more freely with pose and expression than formal portraits permitted. The attributes of Lachesis — likely a distaff, thread, or measure — are rendered as carefully as the figure itself, ensuring legibility for a classically educated viewer. Pastel's soft luminosity suits the otherworldly quality of a divine personification.

Look Closer

  • ◆Lachesis's attribute — the measuring instrument of mortal fate — identifies her among the three Fates
  • ◆The allegorical subject allowed Carriera to idealise facial features beyond portrait conventions
  • ◆Soft pastel luminosity gives the figure an ethereal quality appropriate to a divine personification
  • ◆Bavarian collections acquired many Venetian Rococo works, and this fits that broad collecting pattern

See It In Person

Bavarian State Painting Collections

,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Rococo
Genre
Genre
Location
Bavarian State Painting Collections, undefined
View on museum website →

More by Rosalba Carriera

Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume by Rosalba Carriera

Gustavus Hamilton (1710–1746), Second Viscount Boyne, in Masquerade Costume

Rosalba Carriera·1730–31

Portrait of a Man by Rosalba Carriera

Portrait of a Man

Rosalba Carriera·ca. 1710

Portrait of Christoffel Bernhard Julius von Schwartz (1676-1754), heer van Ansen en Glinthuis by Rosalba Carriera

Portrait of Christoffel Bernhard Julius von Schwartz (1676-1754), heer van Ansen en Glinthuis

Rosalba Carriera·1700

Self-Portrait as "Winter" by Rosalba Carriera

Self-Portrait as "Winter"

Rosalba Carriera·1730

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700