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Entombment by Colijn de Coter

Entombment

Colijn de Coter·1507

Historical Context

Colijn de Coter painted this Entombment around 1507 for the Bonnefanten Museum in Maastricht. The burial of Christ was one of the most solemn scenes in the Passion cycle, marking the transition from active suffering to the stillness of the tomb before the Resurrection. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.

Technical Analysis

The panel renders the solemn burial scene with de Coter's characteristic bold figure modeling and expressive gestures, conveying the weight of both the body and the mourners' grief.

See It In Person

Bonnefanten Museum

Maastricht, Netherlands

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bonnefanten Museum, Maastricht
View on museum website →

More by Colijn de Coter

Grablegung Christi by Colijn de Coter

Grablegung Christi

Colijn de Coter·1487

The Virgin Mediator with Jeanne la Folle by Colijn de Coter

The Virgin Mediator with Jeanne la Folle

Colijn de Coter·1493

Christ the mediator, with Philip the Fair by Colijn de Coter

Christ the mediator, with Philip the Fair

Colijn de Coter·1493

Christ de douleur by Colijn de Coter

Christ de douleur

Colijn de Coter·1482

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Antonio da Correggio·c. 1515

Virgin and Child with Saint Anne, Saint Gereon, and a Donor by Bartholomaeus Bruyn the Elder

Virgin and Child with Saint Anne, Saint Gereon, and a Donor

Bartholomaeus Bruyn the Elder·1520

Scenes from the Life of Saint John the Baptist by Bartolomeo di Giovanni

Scenes from the Life of Saint John the Baptist

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