
Entombment of Christ
Albrecht Altdorfer·1518
Historical Context
Albrecht Altdorfer's Entombment of Christ at the Kunsthistorisches Museum in Vienna, painted around 1518, depicts the placing of Christ's body in the tomb in Altdorfer's characteristic manner — the solemn figures of the Entombment surrounded by the visionary landscape that makes all his sacred narratives simultaneously devotional images and celebrations of the natural world. Altdorfer was the founder of the Danube School and the most innovative landscape painter in early sixteenth-century Germany, and even in this Passion subject, the atmospheric environment — dark rocky cliffs, overcast sky, trees and vegetation — plays as important a role as the human figures. The Entombment was a subject inviting meditation on grief, loss, and the anticipation of Resurrection, and Altdorfer gives it a nocturnal quality that deepens the emotional intensity. The Kunsthistorisches Museum in Vienna holds the Habsburg imperial collection, which assembled exceptional examples of German Renaissance painting, and Altdorfer's Entombment is among its masterpieces of the early sixteenth-century German school.
Technical Analysis
The panel combines the emotional gravity of the burial scene with Altdorfer's luminous landscape painting, using dramatic light and atmospheric effects to heighten the devotional impact.
Look Closer
- ◆Altdorfer's visionary landscape surrounds the Entombment with a twilight sky of extraordinary atmospheric intensity — the dying light at the horizon creates a cosmic sympathy with Christ's death.
- ◆The figures bending over the tomb have an almost fungal, organic quality to their grouped mass — Altdorfer's figures are always architecturally grouped rather than individually posed.
- ◆The color of the sky at sunset — orange merging into green, then deepening to blue — is painted with a chromatic gradation that anticipates the sky-as-painting idea of later Romantic landscape.
- ◆The tomb is set in a rocky landscape that has an almost geological violence — sharp-edged peaks, deep crevasses — contrasting with the human tenderness of the entombment scene.
- ◆Small rocks and plants in the foreground are observed with botanical specificity — Altdorfer's Danube School painting tradition demanded this attention to the minute particulars of landscape.
![The Rule of Bacchus [left panel] by Albrecht Altdorfer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Workshop_of_Albrecht_Altdorfer%2C_The_Rule_of_Bacchus_(left_panel)%2C_c._1535%2C_NGA_41641.jpg&width=600)
![The Fall of Man [middle panel] by Albrecht Altdorfer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Workshop_of_Albrecht_Altdorfer%2C_The_Fall_of_Man_(middle_panel)%2C_c._1535%2C_NGA_41642.jpg&width=600)
![The Rule of Mars [right panel] by Albrecht Altdorfer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Workshop_of_Albrecht_Altdorfer%2C_The_Rule_of_Mars_(right_panel)%2C_c._1535%2C_NGA_41643.jpg&width=600)




