
Étude pour la seconde attaque de Constantin, le 13. octobre 1837
Horace Vernet·1843
Historical Context
Study for the Second Attack of Constantine from 1843 at the National Museum of Art, Architecture and Design in Oslo documents the French siege and capture of the Algerian city of Constantine in October 1837, which Vernet had witnessed personally as an embedded artist accompanying the French expedition. These preparatory studies for his large battle paintings required extensive observation and documentation to achieve the documentary accuracy that was his primary artistic commitment. The capture of Constantine was a decisive moment in the French conquest of Algeria, making it a subject of major political importance for the July Monarchy that Vernet served. His studies, painted with the fluid assurance of his finished battle pieces, capture military action with the precision of a war correspondent who had actually been present. The National Museum in Oslo holds this among works acquired during the period when Scandinavian collectors were actively acquiring French Romantic paintings.
Technical Analysis
The study shows military action with characteristic precision. Vernet's handling captures the chaos of the assault with controlled compositional energy.
Look Closer
- ◆The Algerian city walls of Constantine are visible on the left — Vernet documented the specific fortifications his study of the city's layout was needed to capture.
- ◆French troops advance in the lower half of the composition in formal assault columns — military order imposed on the chaos of siege warfare.
- ◆The elevated vantage point — Vernet painted from observation posts above the battle — gives the study its commanding panoramic sweep.
- ◆Cannon smoke fills the sky to the right, its white-grey cloud catching the specific diffused light of a North African autumn day.
- ◆The sketch's rapid handling differs from Vernet's finished battle paintings — visible underdrawing shows through in the sky passages.







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