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Étude pour la seconde attaque de Constantin, le 13. octobre 1837 by Horace Vernet

Étude pour la seconde attaque de Constantin, le 13. octobre 1837

Horace Vernet·1843

Historical Context

Study for the Second Attack of Constantine from 1843 at the National Museum of Art, Architecture and Design in Oslo documents the French siege and capture of the Algerian city of Constantine in October 1837, which Vernet had witnessed personally as an embedded artist accompanying the French expedition. These preparatory studies for his large battle paintings required extensive observation and documentation to achieve the documentary accuracy that was his primary artistic commitment. The capture of Constantine was a decisive moment in the French conquest of Algeria, making it a subject of major political importance for the July Monarchy that Vernet served. His studies, painted with the fluid assurance of his finished battle pieces, capture military action with the precision of a war correspondent who had actually been present. The National Museum in Oslo holds this among works acquired during the period when Scandinavian collectors were actively acquiring French Romantic paintings.

Technical Analysis

The study shows military action with characteristic precision. Vernet's handling captures the chaos of the assault with controlled compositional energy.

Look Closer

  • ◆The Algerian city walls of Constantine are visible on the left — Vernet documented the specific fortifications his study of the city's layout was needed to capture.
  • ◆French troops advance in the lower half of the composition in formal assault columns — military order imposed on the chaos of siege warfare.
  • ◆The elevated vantage point — Vernet painted from observation posts above the battle — gives the study its commanding panoramic sweep.
  • ◆Cannon smoke fills the sky to the right, its white-grey cloud catching the specific diffused light of a North African autumn day.
  • ◆The sketch's rapid handling differs from Vernet's finished battle paintings — visible underdrawing shows through in the sky passages.

See It In Person

National Museum of Art, Architecture and Design

Oslo, Norway

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
53.5 × 89.5 cm
Era
Romanticism
Style
French Romanticism
Genre
History
Location
National Museum of Art, Architecture and Design, Oslo
View on museum website →

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Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

Horace Vernet·1810

Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

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