ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Favourites, the Property of H.R.H. Prince George of Cambridge by Edwin Landseer

Favourites, the Property of H.R.H. Prince George of Cambridge

Edwin Landseer·1834

Historical Context

Favourites, the Property of H.R.H. Prince George of Cambridge (1834) is a commissioned portrait of specific dogs belonging to a specific royal owner — Prince George, Duke of Cambridge, Queen Victoria's cousin. The Yale Center for British Art holds this canvas, one of the relatively few Landseer royal commissions that left the immediate royal family's hands and entered the collecting market. By 1834 Landseer had fully established himself as the painter of choice for aristocratic dog portraits, and commissions like this one formed the commercial backbone of his practice. The full title, with its reference to Prince George's ownership, reflects the Victorian convention of attributing pet portraits not to their animal subjects but to their distinguished owners.

Technical Analysis

Canvas with Landseer's mid-career handling at its most polished for aristocratic commission work. Multiple dogs — the title's plural 'favourites' — require compositional management while maintaining individual characterization for each animal. The implied outdoor or domestic setting provides the contextual frame.

Look Closer

  • ◆Multiple dogs of apparently different breeds are individually characterized rather than treated as a generic group
  • ◆The aristocratic commission context gives the work its full formal title attributing the dogs to their royal owner
  • ◆Each dog's coat type and facial type is specifically rendered — Landseer's ability to distinguish breeds precisely
  • ◆The compositional arrangement of multiple dogs maintains group coherence without losing individual identity

See It In Person

Yale Center for British Art

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Romanticism
Genre
Genre
Location
Yale Center for British Art, undefined
View on museum website →

More by Edwin Landseer

Deer of Chillingham Park, Northumberland by Edwin Landseer

Deer of Chillingham Park, Northumberland

Edwin Landseer·1867

Highland Shepherd’s Dog in the Snow (previously known as 'Sheepdog Rescuing a Ram from a Snowdrift') by Edwin Landseer

Highland Shepherd’s Dog in the Snow (previously known as 'Sheepdog Rescuing a Ram from a Snowdrift')

Edwin Landseer·1880

Retrievers with a Hare by Edwin Landseer

Retrievers with a Hare

Edwin Landseer·1870

A Jack in Office by Edwin Landseer

A Jack in Office

Edwin Landseer·

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836