ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 50,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Feeding Time in the Farmyard by George Morland

Feeding Time in the Farmyard

George Morland·1793

Historical Context

Dated 1793, "Feeding Time in the Farmyard" depicts the daily ritual of feeding livestock — that moment in the farmyard day when animals gather at the trough, gate, or feed station and the farm's ordered routine is most clearly on display. Judges' Lodgings in Lancaster holds this canvas, an unusual institutional context that reflects the widespread distribution of Morland's work through English civic and legal buildings during the nineteenth century. The 1793 date places this at the height of Morland's commercial success, when engravers were competing to reproduce his farmyard subjects and buyers across Britain and Europe were acquiring his work through the print trade. Feeding time was a subject that allowed him to show the variety of his farmyard animals in natural grouping — pigs at a trough, poultry around scattered grain, horses at a hay rack — each species' behaviour and posture observed with genuine understanding.

Technical Analysis

On canvas, the composition organises the feeding animals around the trough or feed station, their convergent movement creating a natural compositional focus. Morland differentiates the species with his characteristic variety of brushwork — each animal type rendered with its own specific mark quality. The farmyard architecture provides a backdrop that frames the activity without competing with it. Warm light suggests the specific time of day — morning or afternoon feeding — that anchors the domestic routine.

Look Closer

  • ◆Animals converging on the feed station creating a natural compositional focal point without artificial staging
  • ◆Different species rendered with distinct brushwork strategies appropriate to each animal's coat or feather texture
  • ◆Farmyard architecture providing spatial structure without distracting from the animal activity
  • ◆Light quality suggesting a specific time of the working day — the structured routine of the farm made visible

See It In Person

Judges' Lodgings

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Neoclassicism
Genre
Genre
Location
Judges' Lodgings, undefined
View on museum website →

More by George Morland

Trepanning a Recruit by George Morland

Trepanning a Recruit

George Morland·c. 1790

The Bell Inn by George Morland

The Bell Inn

George Morland·late 1780s

The Death of the Fox by George Morland

The Death of the Fox

George Morland·c. 1791/1794

A Girl seated and fondling a dove by George Morland

A Girl seated and fondling a dove

George Morland·ca. 1780-1804

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770