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Feilitzsch Altarpiece [left wing, recto]: Portrait of Jobst von Feilitzsch with St Peter by Lucas Cranach the Elder

Feilitzsch Altarpiece [left wing, recto]: Portrait of Jobst von Feilitzsch with St Peter

Lucas Cranach the Elder·1512

Historical Context

The Feilitzsch Altarpiece left wing from 1512 combines a donor portrait of Jobst von Feilitzsch with his patron Saint Peter on the recto — a standard German altarpiece convention that placed the donor in the same pictorial space as his patron saint, the saint's presence implicitly extending his protection to the donor. Jobst von Feilitzsch was a Saxon nobleman who commissioned this altarpiece for a family chapel — the specific church or chapel is not documented, but the work belonged to the tradition of private family chapel altarpieces through which noble families expressed their religious devotion and maintained their claim to divine patronage. The combination of donor portrait and sacred figure allowed Cranach to deploy both his portrait skills and his devotional figure painting in a single composition, creating a work that served both personal documentation and religious function. The work's current unlocated or privately held status means it circulates through the art market rather than permanent museum exhibition, making its study dependent on photographic documentation.

Technical Analysis

The panel shows Cranach's skill in juxtaposing realistic portrait observation with idealized saintly imagery, using his characteristic precise drawing for both the donor's physiognomy and Peter's apostolic attributes.

Look Closer

  • ◆Notice the recto donor portrait: Jobst von Feilitzsch kneels before Saint Peter, placing himself in the apostle's protection — the standard format for donor-saint wings in German altarpieces.
  • ◆Look at how Cranach juxtaposes realistic portrait observation with idealized saintly imagery: the patron rendered with honest specificity, the saint with elevated dignity.
  • ◆Find Peter's attributes — the keys to heaven — rendered with Cranach's precise detail even on a secondary altarpiece panel.
  • ◆Observe how this double-sided panel (recto portrait, verso Saint John) was designed so that both faces served distinct devotional functions.

See It In Person

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Quick Facts

Medium
Oil on panel
Dimensions
91 × 32.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
undefined, undefined
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