
Fishmarket in St Ives
Anders Zorn·1888
Historical Context
Fishmarket in St Ives, dated 1888 and made on paper, records Zorn's time in the Cornish fishing town that had become an important centre for British plein-air painting by the late 1880s. St Ives attracted artists from Britain and America seeking the quality of Atlantic coastal light and the picturesque vitality of the harbour and market. Zorn arrived already formed by his time in London and Paris, and the Cornish visit allowed him to apply his rapid watercolour and gouache technique — already practised on Mediterranean and Venetian subjects — to the cooler, silver-grey light of the Atlantic. Fish markets offered painters the combination of architectural setting, social activity, and the brilliant, wet reflections of the catch — all subjects well suited to rapid, fluid work on paper. The 1888 visit also placed Zorn within the international network of artists passing through St Ives, strengthening connections that would benefit his career as he pursued portraiture commissions in England.
Technical Analysis
Worked on paper with watercolour or gouache, the market scene displays Zorn's mastery of rapid descriptive notation: figures suggested by a few well-placed strokes, wet ground surfaces reflecting the grey sky, and the architectural framework of the market space established with efficient perspective.
Look Closer
- ◆Wet cobblestones or harbour boards mirror the grey sky in thin, transparent washes that create depth beneath the figure groupings
- ◆Market figures are reduced to posture and gesture, their individuality sacrificed for the collective energy of commercial activity
- ◆The Atlantic light — cool, diffused, shadowless — is entirely different in quality from the warm Mediterranean light of Zorn's Italian watercolours
- ◆The fish laid out on the market stalls introduce horizontal accents of silver and white that organise the lower portion of the composition
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