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Flowers in a Glass Vase by Ambrosius Bosschaert

Flowers in a Glass Vase

Ambrosius Bosschaert·1614

Historical Context

Dated 1614 and held in the National Gallery in London, this Flowers in a Glass Vase by Ambrosius Bosschaert is one of the most important works by the artist in a British public collection. The National Gallery's acquisition of this panel places it alongside the major Dutch and Flemish still life works that define the museum's seventeenth-century holdings. The 1614 date coincides with the period when Bosschaert was working in Middelburg, at the height of the Dutch tulip enthusiasm that would reach its speculative peak two decades later in the Tulipmania of 1636–37. Tulips appear prominently in Bosschaert's 1614 bouquets as objects of genuine botanical wonder rather than financial speculation — they were already rare and expensive, but their cultural meaning had not yet been distorted by the market frenzy to come. The glass vase, as in the Getty's 1614 work, is a central technical challenge and a demonstration of optical sophistication.

Technical Analysis

Bosschaert's two known 1614 works — this and the Getty panel — provide an unusual opportunity to compare his approach across contemporaneous compositions. Both employ the same fundamental technique: smooth panel support, warm ground, and methodical layered glazing for flowers. The National Gallery work demonstrates his mastery of the glass vase through the rendering of stems within water, bubbles, and the gentle distortions of the curved glass surface.

Look Closer

  • ◆Comparing the handling of similar flower species across the composition reveals the degree to which Bosschaert studied each bloom individually before assembling them into the group.
  • ◆Air bubbles on the stems inside the glass vase are precisely placed small circles of pale paint — an observation that requires having looked closely at actual flowers in water.
  • ◆The stone ledge or window sill on which the vase rests has its own specific texture — cool, slightly rough — that anchors the luminous floral composition in a real physical space.
  • ◆Flowers at the periphery of the bouquet are often shown at angles that reveal their backs or sides, providing botanical information that a frontal view alone could not offer.

See It In Person

National Gallery

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Quick Facts

Medium
oil paint
Era
Baroque
Location
National Gallery, undefined
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More by Ambrosius Bosschaert

Flowers in a Glass by Ambrosius Bosschaert

Flowers in a Glass

Ambrosius Bosschaert·1606

Bouquet of Flowers in a Glass Vase by Ambrosius Bosschaert

Bouquet of Flowers in a Glass Vase

Ambrosius Bosschaert·1621

Vase of Flowers in a Window Niche by Ambrosius Bosschaert

Vase of Flowers in a Window Niche

Ambrosius Bosschaert·1618

Still life with flowers in a Wan-li vase by Ambrosius Bosschaert

Still life with flowers in a Wan-li vase

Ambrosius Bosschaert·1619

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612

The Flight into Egypt by Abraham Jansz. van Diepenbeeck

The Flight into Egypt

Abraham Jansz. van Diepenbeeck·c. 1650