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George Canning (1770–1827) by Thomas Lawrence

George Canning (1770–1827)

Thomas Lawrence·1838

Historical Context

George Canning, the version at the Walker Art Gallery dated 1838, presents an intriguing attributional problem: Lawrence died in January 1830, eight years before this date. Canning himself had died in August 1827, three years before Lawrence. The 1838 date must therefore indicate either a posthumous copy made from an earlier Lawrence original, a work completed from Lawrence's unfinished studio materials by his assistant or successor, or a version produced to meet the extraordinary posthumous demand for images of Canning following his brief but consequential premiership. Canning served as Prime Minister for only 119 days in 1827 before his death, but his career as Foreign Secretary had made him one of the most influential statesmen of the post-Napoleonic period — his support for Greek independence, Latin American liberation movements, and constitutional liberalism across Europe made him the hero of progressive opinion across the continent. The Walker Art Gallery in Liverpool holds this portrait in the city most directly associated with the Atlantic trade that Canning's liberal international policies facilitated; his reputation as the statesman who supported emerging democracies gave him an enduring progressive legacy that made his image commercially and politically valuable well after his death.

Technical Analysis

The portrait conveys Canning's reputation for eloquence and intellectual brilliance through an animated expression and direct gaze. The relatively dark palette and simple composition focus attention on the face, where Lawrence's handling — or that of a skilled studio hand — captures the politician's commanding presence.

Look Closer

  • ◆Notice the 1838 date: this is eight years after Lawrence's death in 1830, suggesting a studio copy or posthumous version.
  • ◆Look at the animated expression conveying Canning's celebrated eloquence: even in a copy, the rhetorical force is present.
  • ◆Observe the Walker Art Gallery Liverpool location: the portrait of a politician with progressive sympathies lives in the city most connected to his legacy.
  • ◆Find the relatively dark palette and simple composition focusing attention on the face — standard Lawrence formula for political commissions.

See It In Person

Walker Art Gallery

Liverpool, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
240 × 147.3 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
Walker Art Gallery, Liverpool
View on museum website →

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Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

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Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

Portrait of the Honorable George Canning, M.P. by Thomas Lawrence

Portrait of the Honorable George Canning, M.P.

Thomas Lawrence·c. 1822

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