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George Ferrers Townshend (1778–1855), 3rd Marquis Townshend
Thomas Lawrence·c. 1800
Historical Context
George Ferrers Townshend, 3rd Marquess Townshend, painted by Lawrence around 1800 and at Tamworth Castle, represents one of England's ancient noble families whose political prominence dated from the Glorious Revolution. The Townshends had been significant figures in Hanoverian politics — the 2nd Viscount Townshend, 'Turnip Townshend,' was the agricultural reformer who contributed to the agrarian revolution, while Charles Townshend, the Chancellor of the Exchequer, introduced the American taxation measures that directly provoked the Revolution. The 3rd Marquess inherited both the family's political connections and the cultural ambitions that had made Townshend Hall in Norfolk one of the significant Palladian country houses of Georgian England. Tamworth Castle's holding of this portrait connects to the Midlands political world; the Townshend family's interests extended across several English counties. Lawrence's treatment of the Marquess employs the full apparatus of aristocratic portraiture — the assured bearing that communicated inherited dignity, the atmospheric landscape setting, the compositional authority that distinguished his approach — to create a figure whose identity is inseparable from the family history his name carried.
Technical Analysis
Lawrence paints the Marquess with the formal dignity appropriate to a peer of high rank, the dark coat and cravat handled with efficient brushwork. The face receives more careful attention, with warm highlights giving life to the features against the subdued background.
Look Closer
- ◆Notice the formal dignity appropriate to an ancient noble family: the Townshends receive the composed treatment Lawrence reserved for peers of high rank.
- ◆Look at the warm highlights giving life to the features against the subdued background: Lawrence's standard technique for differentiating face from costume.
- ◆Observe the efficient brushwork in the dark coat and cravat: Lawrence reserves careful attention for the face.
- ◆Find the Romantic sensitivity to individual character that distinguishes this from the pure social documentation of earlier aristocratic portraiture.
See It In Person
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Portrait of the Honorable George Canning, M.P.
Thomas Lawrence·c. 1822



