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George Fothergill of York (1689–1770) by George Stubbs

George Fothergill of York (1689–1770)

George Stubbs·1746

Historical Context

George Fothergill of York (1689–1770) was a physician and man of learning, and this 1746 portrait at the Ferens Art Gallery is among the earliest authenticated works by Stubbs, painted when he was only twenty-two years old and still building his practice as a portraitist in York. Fothergill was a well-connected figure in York's medical and intellectual community — a city with a vibrant cultural life centred on the York Medical Society and the assembly rooms — and a commission from such a sitter signalled Stubbs's acceptance into respectable professional circles. The portrait demonstrates the young Stubbs's competence within the half-length male portrait convention: sober, direct, and without unnecessary flourish. It also documents his ability to satisfy the demands of educated, discerning clients even before his decisive turn toward animal painting. The Ferens Gallery holds this as part of a small but important group of early Stubbs portraits from the York period.

Technical Analysis

Oil on canvas. The portrait follows the standard Georgian formula for a professional man's likeness: half-length, three-quarter turn, sober dark clothing against a neutral ground. Stubbs's handling of the face shows already-developed skills in flesh-tone modelling, with confident warm-to-cool transitions across the forehead and cheeks.

Look Closer

  • ◆The sitter's wig is painted with systematic, slightly stiff strokes that follow the powdered curls' artificial regularity.
  • ◆The dark coat absorbs most of the shadow, throwing maximum attention onto the lit face above it.
  • ◆Fothergill's direct, slightly wary gaze toward the viewer suggests a man accustomed to professional assessment.
  • ◆The neutral brown background deepens toward the shadow side — a subtle tonal device that increases three-dimensionality.

See It In Person

Ferens Art Gallery

,

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Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Neoclassicism
Genre
Genre
Location
Ferens Art Gallery, undefined
View on museum website →

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The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs

The Third Duke of Dorset's Hunter with a Groom and a Dog

George Stubbs·1768

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances by George Stubbs

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

George Stubbs·1769

White Poodle in a Punt by George Stubbs

White Poodle in a Punt

George Stubbs·c. 1780

Lions and lioness: rocky background by George Stubbs

Lions and lioness: rocky background

George Stubbs·1776

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

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View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770