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George I (1660–1727) by Godfrey Kneller

George I (1660–1727)

Godfrey Kneller·1800

Historical Context

This portrait of George I reflects Kneller's role as the principal image-maker of the Hanoverian succession — his portraits of the new German dynasty providing the official visual identity of a monarchy whose English subjects were largely unfamiliar with their new ruler. George I, the Elector of Hanover who became King of Great Britain in 1714, never learned to speak English fluently and was generally unpopular with his subjects, but Kneller's portraits invested him with the regal gravity appropriate to a constitutional monarch. Kneller's technical mastery of state portraiture — grand drapery, armor, neutral backgrounds, dignified posture — served successive monarchs regardless of their personal qualities.

Technical Analysis

The royal portrait follows established conventions for depicting monarchical authority, with Kneller's studio producing multiple versions to distribute George I's image across government buildings and public institutions.

See It In Person

Town Hall

Henley-on-Thames,

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
234.5 × 145 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
Town Hall, Henley-on-Thames
View on museum website →

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Charles Beauclerk (1670–1726), Duke of St. Albans by Godfrey Kneller

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Godfrey Kneller·ca. 1690–95

Lady Mary Berkeley by Godfrey Kneller

Lady Mary Berkeley

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A Member of the Howard Family of Ashtead by Godfrey Kneller

A Member of the Howard Family of Ashtead

Godfrey Kneller·ca. 1700

Thomas Betterton by Godfrey Kneller

Thomas Betterton

Godfrey Kneller·ca. 1690

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