_-_George_III_and_the_Prince_of_Wales_Reviewing_the_3rd_(or_The_Prince_Of_Wales's)_Regiment_of_Dragoon_-_NAM._1971-05-30_-_National_Army_Museum.jpg&width=1200)
George III and the Prince of Wales Reviewing the 3rd (or The Prince Of Wales's) Regiment of Dragoon Guards and the 10th (or The Prince Of Wales's Own) Regiment of (Light) Dragoons, c.1797
William Beechey·1797
Historical Context
William Beechey's equestrian canvas of 1797 depicting George III and the Prince of Wales reviewing the Dragoon Guards and the Prince's Light Dragoons is one of his grandest official works, painted when he was most actively cultivating royal patronage. Beechey was appointed Portrait Painter to Queen Charlotte in 1793 and knighted in 1798, making this period the apogee of his court career. The dual equestrian review connects the aging, increasingly troubled George III with his son — the future Prince Regent — in a display of dynastic military authority at a moment when Britain was at war with Revolutionary France.
Technical Analysis
The equestrian portrait tradition — derived from Van Dyck and reinforced by Kneller — places the military figures on horseback against an open sky and parkland. Beechey handles the horses with technical competence if less virtuosity than Stubbs. Uniforms and insignia are rendered with official accuracy appropriate for a state document.
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