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George Macartney, 1st Earl Macartney KB (1737-1806) by Joshua Reynolds

George Macartney, 1st Earl Macartney KB (1737-1806)

Joshua Reynolds·1764

Historical Context

Reynolds painted George Macartney, later 1st Earl Macartney, around 1764, depicting the diplomat who would lead the first British embassy to the Qing Emperor of China in 1793 — one of the most celebrated diplomatic failures in British history. The embassy's refusal to perform the kowtow, and the Emperor Qianlong's dismissal of British trade demands, became a defining episode in the history of Western-Chinese relations. At the time of the Reynolds portrait, Macartney was a rising diplomat and administrator who had served as envoy to Russia and would later govern Grenada and the Cape Colony as well as leading the China mission. Reynolds's portrait captures the young man at the beginning of a career that would span the globe and illuminate both the ambitions and the limitations of British imperial diplomacy. The painting demonstrates Reynolds's characteristic approach to portraiture of intellectually ambitious men: a directness of characterization that conveys intelligence and confidence without the more elaborate symbolic apparatus he reserved for military commissions. Now in a National Trust property, the canvas connects to a broader portfolio of Reynolds portraits of men engaged in Britain's expanding imperial enterprise.

Technical Analysis

The formal portrait presents the diplomat with intellectual authority. Reynolds's handling combines dignified bearing with individual characterization.

Look Closer

  • ◆Reynolds paints the future first British ambassador to China — a man whose career would take him to the furthest reaches of the known world.
  • ◆The formal composition communicates diplomatic intelligence and professional authority appropriate to the sitter's exceptional career.
  • ◆The warm Grand Manner treatment Reynolds applied consistently to figures of political and diplomatic significance is fully deployed here.
  • ◆The composed expression suggests the careful calculation of a career diplomat who measured words as precisely as Reynolds measured paint.

See It In Person

National Trust

Various, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
74.9 × 64.8 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
National Trust, Various
View on museum website →

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Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

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Sir Thomas Rumbold, Bt. by Joshua Reynolds

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Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

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