ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Giovanni della Casa (1503-1556) by Francesco Salviati

Giovanni della Casa (1503-1556)

Francesco Salviati·1536

Historical Context

Salviati's portrait of Giovanni della Casa of 1536, at the Kunsthistorisches Museum, depicts one of the most significant Italian humanists and literary figures of the sixteenth century. Giovanni della Casa (1503–1556) is best known for his Galateo, a celebrated treatise on manners and social behavior that became one of the most widely read books of the European Renaissance. He was also a poet, Archbishop of Benevento, and papal official. A portrait of 1536 would capture him at approximately thirty-three years of age, before the publication of his most celebrated works but already established as a significant literary and ecclesiastical figure. Salviati's portrayal of such a distinguished intellectual sitter in this early period of his career illustrates his access to the top levels of Italian humanist society from very early on.

Technical Analysis

Oil on canvas, the portrait adopts the format appropriate to ecclesiastical and humanist portraiture — typically three-quarter length, composed, with attributes suggesting learning. Salviati's relatively early handling in 1536 shows the confident, smooth technique he was already developing, with careful tonal modulation in the face and crisp definition of costume.

Look Closer

  • ◆The clerical dress signals della Casa's ecclesiastical position while the composed expression conveys his intellectual authority
  • ◆A book or manuscript attribute would be entirely appropriate to the subject's identity as a literary man
  • ◆The relatively early date captures an ambitious young man before his greatest works rather than a settled public figure
  • ◆Salviati's already refined paint surface at age roughly twenty gives evidence of exceptional early technical command

See It In Person

Kunsthistorisches Museum

,

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Mannerism
Genre
Genre
Location
Kunsthistorisches Museum, undefined
View on museum website →

More by Francesco Salviati

Portrait of a Man by Francesco Salviati

Portrait of a Man

Francesco Salviati·1530

Portrait of a Lady by Francesco Salviati

Portrait of a Lady

Francesco Salviati·c. 1555

The Incredulity of Saint Thomas by Francesco Salviati

The Incredulity of Saint Thomas

Francesco Salviati·1537

The Holy Family by Francesco Salviati

The Holy Family

Francesco Salviati·1500

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565